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This accessible introduction challenges fixed understandings of the geographical or conceptual'origins'of feminist performance, offering a fresh and open-ended guide to the moments and movements that have come to define this vital field.Designed for
Autor:
Sandra D’Urso
Publikováno v:
The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance ISBN: 9783030695545
Sandra D’Urso translates an excerpt from queer theorist, activist, and transfeminist Sam Bourcier’s 2017 book, Homo Inc.orporated The Triangle and the Farting Unicorn, originally published in French by Cambourakis Press. An abridged Italian trans
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a72dd07ba77a6578502ccea56aec30ca
https://doi.org/10.1007/978-3-030-69555-2_4
https://doi.org/10.1007/978-3-030-69555-2_4
Publikováno v:
The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance ISBN: 9783030695545
We examine the relevance and ethical responsibility as queer and trans feminist performance studies scholars and practitioners today and in the future. Reflecting on the range of approaches, methods, backgrounds, linguistic, cultural, and racial cont
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::926c82b60adaa554d499790c74a1f648
https://doi.org/10.1007/978-3-030-69555-2_30
https://doi.org/10.1007/978-3-030-69555-2_30
Autor:
Sandra D’Urso
Publikováno v:
The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance ISBN: 9783030695545
This chapter delves into recent events whereby the Luxembourgian performance artist, Deborah de Robertis, faced criminal charges for nudity and disobedience in her performance art. Drawing from a continental and Marxist tradition of feminist politica
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c6c988830572f90644e6ecf50450e3a1
https://doi.org/10.1007/978-3-030-69555-2_15
https://doi.org/10.1007/978-3-030-69555-2_15
Publikováno v:
The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance ISBN: 9783030695545
The emergence of new queer and trans feminist intersectional epistemologies prompts a reorientation regarding performance and identities in a twenty-first-century context. In the introduction, the authors discuss cultural and political shifts that af
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7cd6219005e3e82a26bd4dc0d8471d7f
https://doi.org/10.1007/978-3-030-69555-2_1
https://doi.org/10.1007/978-3-030-69555-2_1
Autor:
Sandra D’Urso
Publikováno v:
Performance Research. 23:141-145
Boryana Rossa is an interdisciplinary feminist artist, curator and academic, working across film, photography, painting and performance art. Born in Sofia, Bulgaria in 1972, she later trained and t...
The purpose of this Handbook is to provide students with an overview of key developments in queer and trans feminist theories and their significance to the field of contemporary performance studies. It presents new insights highlighting the ways in w
Autor:
Sarah Balkin, Sandra D’Urso
Publikováno v:
TDR/The Drama Review. 61:94-111
Marina Abramović: In Residence (2015) was a participatory public art project that relied on “facilitators” trained in the Abramović Method. As in other later works of Abramović’s performance practice, the artist’s presence is implied in th
Autor:
Sandra D’Urso, Denise Varney
In the early 1960s the board of governors of the Adelaide Festival of Arts in Australia rejected two Patrick White plays, The Ham Funeral in 1962 and Night on Bald Mountain in 1964. Australian Theatre, Modernism and Patrick White documents the scanda
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::15c500fcb6b420c8499fdd21104b8783
https://doi.org/10.2307/j.ctv5qdhgc
https://doi.org/10.2307/j.ctv5qdhgc
Autor:
Denise Varney, Sandra D'Urso
‘Australian Theatre, Modernism and Patrick White'details the rejection of two Patrick White plays by the Adelaide Festival of Arts in Australia in the early 1960s. In 1961 the board of governors rejected a proposal to include the world premiere of