Zobrazeno 1 - 7
of 7
pro vyhledávání: '"Samuel Kwesi Nkansah"'
Publikováno v:
Cogent Arts & Humanities, Vol 11, Iss 1 (2024)
The recurrent themes of identity and social belongingness, and tension between tradition and modernity reflect the complexities across generations of post-colonial African writers, mainly in Ghana. This study explores how address and reference terms
Externí odkaz:
https://doaj.org/article/4769020cca904716987a2dec0a4622e7
Autor:
Samuel Kwesi Nkansah
Publikováno v:
Cogent Arts & Humanities, Vol 11, Iss 1 (2024)
Since the emergence of Hiplife as a musical genre in Ghana, it has enjoyed some scholarly attention, focusing primarily on issues pertaining to its evolution as a blend of Hip hop and Ghanaian Highlife genres, as well as how it employs linguistic res
Externí odkaz:
https://doaj.org/article/206d589ebf0c4d648d0b576bbef628de
Publikováno v:
Linguistics Initiative. 2:155-172
Literature mirrors societies. While the plethora of studies on African literature, spanning from the early 21st century, have discussed literary texts in their political spectrums, recent studies using transitivity analysis have offered new and objec
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c79ce8e4e1c6b844c65735150878aaa2
https://doi.org/10.53696/27753719.2250
https://doi.org/10.53696/27753719.2250
Publikováno v:
Advances in Social Sciences Research Journal. 8:116-127
Songs are one of the oldest forms of literature and they continue to play important roles in the socialization of members of a society. Considering the importance of songs, this study sought to analyze ambiguity in Ghanaian songs focusing on songs pr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c415f029a44e4ff93dfbc7b209b4e784
https://doi.org/10.14738/assrj.812.9629
https://doi.org/10.14738/assrj.812.9629
Autor:
Samuel Kwesi Nkansah
Publikováno v:
Drumspeak: International Journal of Research in the Humanities. 5:29-49
This study is a stylistic analysis of the dominant patterned repetition – schemes – in Ghanaian Hiplife lyrics. Schemes constitute a broad range of repetitive structures in literature. They represent the grammatical or linguistic breach of expres
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::122f0de04e293420a49dc5f571356433
https://doi.org/10.47963/drumspeak.v5i3.844
https://doi.org/10.47963/drumspeak.v5i3.844
Autor:
Samuel Kwesi Nkansah
Publikováno v:
KENTE - Cape Coast Journal of Literature and the Arts. 2:27-40
Armah’s The Beautyful Ones are not yet Born is a novel known for its extensive portrayal of the ills and anomalies in the Ghanaian society right after independence. The majority of studies on the novel have overwhelmingly concluded that corruption
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2fa26d94be1f180588d7b9165b8f71c6
https://doi.org/10.47963/jla.v2i1.172
https://doi.org/10.47963/jla.v2i1.172
Publikováno v:
Asεmka: A Bilingual Literary Journal of University of Cape Coast. :79-93
In spite of Tadjo‘s evident references to the concept of evil and its ramifications in post-genocide Rwanda, it still remains peripheral in the literature. This gap distorts our understanding of traumatogenic experiences and the diagnostics that is
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5b2bec8358cdd3bf6d15e6f5a945e468
https://doi.org/10.47963/asmka.vi11.436
https://doi.org/10.47963/asmka.vi11.436