Zobrazeno 1 - 10
of 12
pro vyhledávání: '"Samad Parvin"'
Publikováno v:
Codrul Cosminului, Vol 26, Iss 1, Pp 7-18 (2020)
The Swastika was used on many of Iran’s monuments dating from pre-Islamic and post-Islamic times. It cannot be said that the Swastika sign has always had only one meaning, for if it was so, it would lose its mystery and become merely a word. In add
Externí odkaz:
https://doaj.org/article/98f45d19e1584944828e03ca14185d10
Publikováno v:
Anastasis: Research in Medieval Culture and Art, Vol VII, Iss 1, Pp 113-122 (2020)
Rock architecture has a long history in Iran and all over the world, and many climatic, defensive, cultural factors have led to the emergence of architectural examples of this type. The chronology and usage of these works have always been discussed a
Externí odkaz:
https://doaj.org/article/649c58a15ab4425ea5b42e1b0a6906bc
Autor:
Saeid Sattarnejad, Samad Parvin
Publikováno v:
Anastasis: Research in Medieval Culture and Art, Vol VI, Iss 2, Pp 134-154 (2019)
The construction of tombs in the era of Islamic architecture is usually considered as being a manifestation of beliefs and rituals related to the honoring of the dead, along with other religious buildings, including mosques. The various structural me
Externí odkaz:
https://doaj.org/article/0c67b5e9d72441fab81ae2c88d8cd639
Publikováno v:
Golden Horde Review. 8:636-646
Research objectives: The main purpose of this article is to study the Quranic inscription of the Imamzadeh Ma’sum Temple in Maragheh. This inscription shows the evolution of religious beliefs during the Ilkhanid period in Iran which started from th
Publikováno v:
Materiale și Cercetări Arheologice, Vol 16, Pp 119-127 (2020)
The northwestern region of Iran has an important place in the archaeological studies of the Iron Age of Iran, eastern Turkey and the southern Caucasus. In this geographic zone, several Iron Age necropolises have been investigated until the present mo
Publikováno v:
Codrul Cosminului, Vol 26, Iss 1, Pp 7-18 (2020)
The Swastika was used on many of Iran’s monuments dating from pre-Islamic and post-Islamic times. It cannot be said that the Swastika sign has always had only one meaning, for if it was so, it would lose its mystery and become merely a word. In add
Publikováno v:
Anastasis: Research in Medieval Culture and Art, Vol VII, Iss 1, Pp 113-122 (2020)
Rock architecture has a long history in Iran and all over the world, and many climatic, defensive, cultural factors have led to the emergence of architectural examples of this type. The chronology and usage of these works have always been discussed a
Autor:
Samad Parvin, Saeid Sattarnejad
Publikováno v:
Anastasis: Research in Medieval Culture and Art, Vol VI, Iss 2, Pp 134-154 (2019)
The construction of tombs in the era of Islamic architecture is usually considered as being a manifestation of beliefs and rituals related to the honoring of the dead, along with other religious buildings, including mosques. The various structural me
Autor:
Samad Parvin, Behrouz Afkhami
Publikováno v:
Вестник Томского государственного университета. Культурология и искусствоведение. 2020. № 37. С. 165-174
The Sasanid government is the last government before the arrival of Islam to Iran. The great kings of this government including Khosrow Parviz and Bahram Gure were fond of music. These kings helped the growth and advancement of music a lot with the s
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c99da90894ed5ca8a8ed80eec7f9a98a
http://vital.lib.tsu.ru/vital/access/manager/Repository/vtls:000709144
http://vital.lib.tsu.ru/vital/access/manager/Repository/vtls:000709144
Publikováno v:
International Journal of Arts and Technology. 12:238
Decorating earthenware as a manifestation of artistic creativity and aesthetic sense and reflecting the potter's perception of the environment and the system of existence has long been a mysterious form of attention. One of the favourite motifs of Ir