Zobrazeno 1 - 10
of 135
pro vyhledávání: '"Salnikova Ekaterina"'
Autor:
Salnikova Ekaterina
Publikováno v:
Художественная культура, Iss 3, Pp 218-259 (2024)
The article is based on the transcript of the discussion on the work of the popular illustrated magazine Sovetsky Ekran (The Soviet Screen) and the materials of the issues of 1957 and 1958. This array of texts and illustrative materials has not been
Externí odkaz:
https://doaj.org/article/20eef46e6799429090f838f76eaefeac
Publikováno v:
Наука телевидения, Vol 20, Iss 2, Pp 115-150 (2024)
The article delves into Yakov Protazanov’s film Aelita (1924), marking its 100th anniversary. It aims to bring to light the nuances of the film, which were overlooked within Soviet film studies, while also highlighting the key differences between A
Externí odkaz:
https://doaj.org/article/327e85ebc3b44133b08009d36ae09269
Autor:
Salnikova Ekaterina V.
Publikováno v:
Художественная культура, Iss 1, Pp 50-81 (2024)
The author of the article notes the influence of the research of Russian folklorists and cultural historians on the interpretation of the 20th century art and captures the humanitarian trend towards searching for primarily archetypal situations and i
Externí odkaz:
https://doaj.org/article/f7807cea34fd41228f71f44ecef82e99
Autor:
Salnikova Ekaterina V.
Publikováno v:
Художественная культура, Iss 1, Pp 212-243 (2024)
The article deals with the two packages of archival documents — the 1955 resolutions on the establishment of the popular illustrated magazine Sovetsky Ekran (The Soviet Screen) and the transcript of the discussion of the magazine’s work in the Un
Externí odkaz:
https://doaj.org/article/646d0efc089f4d96970c280c4b7b5302
Autor:
Salnikova Ekaterina V.
Publikováno v:
Художественная культура, Iss 1, Pp 156-179 (2023)
The main motives of the colour composition of the film The Diamond Arm are discussed in the article. The variations of the blue and the semantics of the cold range of colours associated with the world of the main character, Senya Gorbunkov, his uncon
Externí odkaz:
https://doaj.org/article/e57e2d3033634e709d27a3d89ee425a2
Publikováno v:
Наука телевидения, Vol 18, Iss 1, Pp 49-78 (2022)
The article studies the early silent cinema motif of disappearance or invisibility of bodies in a frame. In adventure and adventure-fantasy films, this motif performs a whole set of functions. Using the example of several films, I uncover its rich se
Externí odkaz:
https://doaj.org/article/78b1a0dd5b2c4f18938b46071d08f9d1
Publikováno v:
Наука телевидения, Vol 17, Iss 1, Pp 75-98 (2021)
The article is dedicated to the British silent film Alice in Wonderland by Percy Stow and Cecil Hepworth, which was found and restored in 2010. The 12-minute film was unusually long for early cinema. Almost all of the survived credits annotate severa
Externí odkaz:
https://doaj.org/article/6db87c3516ef47a69254973a87392862
Publikováno v:
Наука телевидения, Vol 16, Iss 2, Pp 45-69 (2020)
The film Das Cabinet des Dr. Caligari by Robert Wiene (1920) is analyzed in the article in detail. The author examines the spatial model, the relationships between the characters and the ambiguity of the narrative structure. It is noted that the ex
Externí odkaz:
https://doaj.org/article/f54b2bac4dbe4e309c4daab0bb71e92a
Publikováno v:
Наука телевидения, Vol 15.2, Pp 109-166 (2019)
Game of Thrones series that has become one of the most widely discussed TV shows of our time, is analyzed from the perspective of art history and cultural studies. Its popularity is connected with the fact that it represents not just fantasy, but an
Externí odkaz:
https://doaj.org/article/cccfd29efcd141059b7c659190964bc1
Publikováno v:
Наука телевидения, Vol 14.2, Pp 78-105 (2018)
The article is devoted to the socio-cultural phenomenon of the television Studio and its theatrical and literary background. Partly this research can be attributed to the archeology of media, more precisely, to the archeology of modern television for
Externí odkaz:
https://doaj.org/article/00ef85373b4e41968635bb93a803b6dd