Zobrazeno 1 - 10
of 16
pro vyhledávání: '"Sada Mire"'
Autor:
Sada Mire
Publikováno v:
Divine Fertility
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d031e31b92381c09337fe9a0b375ed92
https://doi.org/10.4324/9780429769252-3
https://doi.org/10.4324/9780429769252-3
Autor:
Sada Mire
Publikováno v:
Divine Fertility
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::aeac3b3f133341571d0ed61702f6adbb
https://doi.org/10.4324/9780429769252-4
https://doi.org/10.4324/9780429769252-4
Autor:
Sada Mire
This book uniquely explores the impact of indigenous ideology and thought on everyday life in Northeast Africa. Furthermore, in highlighting the diversity in pre-Christian, pre-Islamic regional beliefs and practices that extend beyond the simplistic
Autor:
Sada Mire
Publikováno v:
African Archaeological Review. 32:93-109
This article is the first to present a study on the wagar, a sacred wooden sculpture kept by Somali women. This study explores the wagar and its significance as a sacred medium within fertility rituals and the religious syncretism in which such indig
Autor:
Sada Mire
Publikováno v:
Anthropology and Medicine, 23(3), 311-331
The paper introduces the Baanashada Dumarka, a Somali fertility therapy carried out by a spirit medium, known locally as ‘Alaqad. Baanashada is aimed at women whose fertility issues are believed to be caused by spirits. The study also explores a co
Autor:
Sada Mire
Publikováno v:
African Archaeological Review. 28:71-91
Somalia has suffered a civil war since early 1991. Systematic looting, destruction and illicit excavation of sites continue without the international community (including academics, government organisations, heritage workers and humanitarian aid orga
Autor:
Sada Mire
Publikováno v:
African Archaeological Review. 25:153-168
Dhambalin, a sandstone rock shelter, was discovered in autumn 2007. The unique site holds polychrome paintings including the first sheep paintings in Somali archaeology. There is an extraordinary originality in the paintings, particularly those of th