Zobrazeno 1 - 10
of 42
pro vyhledávání: '"Sabine Sörgel"'
Autor:
Sabine Sörgel
This book presents the first in-depth critical and historical examination of the internationally renowned National Dance Theatre Company of Jamaica (NDTC) in the context of postcolonial theatre. Combining a postcolonial theoretical framework with per
Autor:
Sabine Sörgel
Publikováno v:
New Theatre Quarterly. 37:174-189
The years 2014 to 2018 witnessed the centenary of the First World War, commemorated around different cities and other locations around the world. In the United Kingdom, public centenary commemorations were funded by the Tory government, Heritage Lott
Autor:
Sabine Sörgel
Publikováno v:
Canadian Journal of African Studies / Revue canadienne des études africaines. 56:688-689
Autor:
Sabine Sörgel
Publikováno v:
Contemporary African Dance Theatre ISBN: 9783030415006
Contemporary African dance theatre aesthetics formulate an outspokenly anti-racist and decolonial perspective in the way that these works challenge historical assumptions of post-Independence African nationalism, whilst at the same time defying the p
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a1f681d5d7100265e42539403c460ef1
https://doi.org/10.1007/978-3-030-41501-3_6
https://doi.org/10.1007/978-3-030-41501-3_6
Autor:
Sabine Sörgel
Publikováno v:
Contemporary African Dance Theatre ISBN: 9783030415006
This chapter analyses contemporary African Dance Theatre aesthetics with particular emphasis on three male dancer/choreographers from the Democratic Republic of Congo, Ivory Coast and South Africa. Methodologically, the choreographic analysis examine
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::20e6d5719048af979f9036b3a0869cb8
https://doi.org/10.1007/978-3-030-41501-3_3
https://doi.org/10.1007/978-3-030-41501-3_3
Autor:
Sabine Sörgel
Publikováno v:
Contemporary African Dance Theatre ISBN: 9783030415006
One of the main aesthetic obstacles contemporary African choreographers face is often the assumption that all African dance is based on so-called traditional dance forms, and that somehow an African artist would have to undergo a process of moderniza
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::09dea0eb4869bc1d1a2b91f3976125d8
https://doi.org/10.1007/978-3-030-41501-3_2
https://doi.org/10.1007/978-3-030-41501-3_2
Autor:
Sabine Sörgel
Publikováno v:
Contemporary African Dance Theatre ISBN: 9783030415006
This chapter examines the way in which female choreographers of African contemporary dance theatre question beauty in their work by addressing dominant white discourses on beauty, gender, and race. Significantly, the different positions these artists
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::efcb3982a476ffbde0c83e0f0c0f460d
https://doi.org/10.1007/978-3-030-41501-3_4
https://doi.org/10.1007/978-3-030-41501-3_4
Autor:
Sabine Sörgel
Publikováno v:
Contemporary African Dance Theatre ISBN: 9783030415006
This chapter examines the way whiteness underpins the politics of dance criticism and programming, as well as the international funding in several selected German and French co-productions of contemporary African dance theatre to question the extent
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ad87509f5dc49038211bf09bc16aee4d
https://doi.org/10.1007/978-3-030-41501-3_5
https://doi.org/10.1007/978-3-030-41501-3_5
Autor:
Sabine Sörgel
Publikováno v:
New Theatre Quarterly. 37:202-203