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pro vyhledávání: '"SESSA, MARCELLO"'
Autor:
Sessa, Marcello
Publikováno v:
Estetyka i Krytyka / The Polish Journal of Aesthetics. 60(1):53-73
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=976306
Autor:
Balbi, Camilla, Sessa, Marcello
Through an aesthetic and a historical-philological lens, this essay analyses the complex relationship between Wassily Kandinsky’s work and its critical interpretations by Carl Einstein and Clement Greenberg in the first half of the 20th century. Wi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bd8eda10cb0ddc0250607cbc10c10a73
Autor:
Sessa, Marcello
Publikováno v:
Itinera; N. 23 (2022): Colour: Photography, Image, Reality / Aesthetics, Technique and Emotion
Itinera; No. 23 (2022): Colour: Photography, Image, Reality / Aesthetics, Technique and Emotion
Itinera; No. 23 (2022): Colour: Photography, Image, Reality / Aesthetics, Technique and Emotion
In this essay I aim to draw close to an exceptional case study in American modernist art theory: Clement Greenberg’s reinterpretation of Flemish and Dutch painting. I will focus on it in connection with the Greenbergian vision of modernism as a who
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=rivisteunimi::1b5dff9362ad861521b4f6b788b30672
https://riviste.unimi.it/index.php/itinera/article/view/18548
https://riviste.unimi.it/index.php/itinera/article/view/18548
Publikováno v:
Itinera; N. 23 (2022): Colour: Photography, Image, Reality / Aesthetics, Technique and Emotion
Itinera; No. 23 (2022): Colour: Photography, Image, Reality / Aesthetics, Technique and Emotion
Itinera; No. 23 (2022): Colour: Photography, Image, Reality / Aesthetics, Technique and Emotion
Colour reflects the “fluid” nature of the image: both can be considered as a factual, objective evidence of the external world as well as a subjective and sometimes deceptive re-representation of it. The section entitled “Colour. Photography, I
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=rivisteunimi::215d8b74f9827278c2d05aa3a44bb84b
https://riviste.unimi.it/index.php/itinera/article/view/18543
https://riviste.unimi.it/index.php/itinera/article/view/18543
Autor:
Sessa, Marcello
Publikováno v:
Eikón / Imago; Vol. 11 (2022): Pre-Modern "Pop Cultures"?; 355-366
Eikón / Imago; Vol. 11 (2022): ¿"Cultura Pop" antes de la Modernidad?; 355-366
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
Eikón / Imago; Vol. 11 (2022): ¿"Cultura Pop" antes de la Modernidad?; 355-366
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
In the present essay, I aim to reinterpret the notion of performing in respect of modernist ontologies of art, with a particular focus on American art criticism in the mid-twentieth century. Firstly, I will address to art critics such as Clement Gree
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=RECOLECTA___::e8c15d797de970904145ac59407835e2
https://revistas.ucm.es/index.php/EIKO/article/view/76765
https://revistas.ucm.es/index.php/EIKO/article/view/76765
Autor:
Sessa, Marcello
Publikováno v:
Itinera, Iss 19 (2020)
Itinera; No 19 (2020): Colour for Philosophers
Itinera; N. 19 (2020): Colour for Philosophers
Itinera; No 19 (2020): Colour for Philosophers
Itinera; N. 19 (2020): Colour for Philosophers
This essay aims to analyse the importance of colour in Clement Geenberg’s theory of art, and its relevance on modernist ontology of pictorial image. It focuses in particular on the shift from the notion of “painterly” to the notion of “post p
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2d73e612b2848c4b4cfc2af88165770a
Autor:
SESSA, MARCELLO
Publikováno v:
Aisthesis: Pratiche, Linguaggi e Saperi dell'Estetico; 2022, Vol. 15 Issue 1, p69-80, 10p