Zobrazeno 1 - 7
of 7
pro vyhledávání: '"SAMBRIȘ ELENA"'
Autor:
SAMBRIŞ ELENA
Publikováno v:
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, Iss 1(34), Pp 94-99 (2019)
The article deals with the Concert Music by S. Pyslari — a bright and dynamic composition, distinguished by the originality of the idea, the search for unconventional principles of form construction, the novelty of the musical language. Among the
Externí odkaz:
https://doaj.org/article/1b3b9808c85548bb9022c7ef6a65c529
Autor:
SAMBRIȘ ELENA
Publikováno v:
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, Iss 2(31), Pp 217-225 (2017)
In the course of harmony, the theory of modulation is one of the most important components contributing to a holistic understanding of harmonic regularities. In its turn, the problem of the relationship of tonalities in the theory of modulation is th
Externí odkaz:
https://doaj.org/article/d7e276d504c24ce2b5702131452a8b3a
Autor:
SAMBRIȘ ELENA
Publikováno v:
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, Iss 2(29), Pp 39-43 (2016)
In the recent decades, the increased interest in spiritual subjects is identifi ed in the appearance of a number of religious musical compositions. In this regard, the works by V. Cholak are very signifi cant, he oft en turns to diff erent genres of
Externí odkaz:
https://doaj.org/article/d260c2459b6a43beae27497abe73a84a
Autor:
SAMBRIȘ, ELENA
Publikováno v:
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, Iss 2 (39), Pp 17-25 (2021)
The famous Moldovan composer Oleg Negrutsa is the author of fifteen concertos for various instruments. This article discusses two of them — Concerto grosso „In Old Style" for flute, violin, cello, harpsichord and string orchestra and Concerto for
Externí odkaz:
https://doaj.org/article/4f692a6384b444fbbf5068bb5b4c5e09
Autor:
SAMBRIȘ, ELENA, PUTINA, ANASTASIA
Publikováno v:
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, Iss 1 (38), Pp 38-42 (2021)
Th e piece „Codul Enescu” for string orchestra by Gh. Ciobanu appears to be original and distinctive in its creative method. Here a kind of dialogue between the composer and the Romanian Maestro takes place. Gh. Ciobanu creates a vivid compositio
Externí odkaz:
https://doaj.org/article/7260f55432274f4891ae5e4aa990c702
Autor:
SAMBRIȘ, ELENA, PUTINA, ANASTASIA
Publikováno v:
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, Iss 2(37), Pp 26-32 (2020)
The composition by Gh. Ciobanu ”Glance Behind the Curtain/ Glance for the Curtain” refers to the genre-composed works, the so-called free-mixed genres. Here there are signs of chamber symphony and of instrumental music. The composition is concept
Externí odkaz:
https://doaj.org/article/3dda476bf15f4ac38aaebf38ba8143d3
Autor:
SAMBRIȘ, ELENA
Publikováno v:
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, Iss 2(37), Pp 40-49 (2020)
The article considers the stylistic features of the symphonic work „Concert Music” by S. Pyslar. The genre of the concerto for orchestra served as the prototype for this work. The genre genesis is manifested in a special organization of compositi
Externí odkaz:
https://doaj.org/article/a158a7e3489c4d0794856cd4d29a77ac