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pro vyhledávání: '"Rozzoni, Claudio"'
Autor:
Rozzoni, Claudio
Publikováno v:
Kunstiteaduslikke Uurimusi / Studies on Art and Architecture. 29(03+04):57-70
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=925688
Autor:
Rozzoni, Claudio
Publikováno v:
Horizon. Феноменологические исследования / Horizon. Studies in Phenomenology. 4(1):114-123
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=574853
Autor:
Barale, Alice, Rozzoni, Claudio
Publikováno v:
Itinera; N. 23 (2022): Colour: Photography, Image, Reality / Aesthetics, Technique and Emotion
Itinera; No. 23 (2022): Colour: Photography, Image, Reality / Aesthetics, Technique and Emotion
Itinera; No. 23 (2022): Colour: Photography, Image, Reality / Aesthetics, Technique and Emotion
This monographic section of “Itinera” develops some of the questions which were raised at the summer school “Aesthetics, Technique and Emotion”, held in June 2020 at the Lake Como School of Advanced Studies (https://aeat.lakecomoschool.org/).
Akademický článek
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Publikováno v:
Itinera; N. 21 (2021): Is the sublime now?
Itinera; No. 21 (2021): Is the sublime now?
Itinera; No. 21 (2021): Is the sublime now?
The sublime is a concept that has never ceased to attract and to fascinate scholars. In its classical formulation, it dates back to the eighteenth century, but some of the issues that characterize its origin – such as the border between representat
Autor:
Rozzoni, Claudio
En 1979, Jean-François Lyotard, qui vient de publier son célèbre ouvrage La Condition postmoderne, compose un petit texte consacré aux Salons diderotiens, un texte dont le premier intérêt réside pour nous dans sa tentative de mesurer la distan
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::5cc7ab12c79db80bc6f685f80af34cc3
http://books.openedition.org/pup/10768
http://books.openedition.org/pup/10768
Autor:
Rozzoni, Claudio
Publikováno v:
Lebenswelt: Aesthetics and Philosophy of Experience, Iss 16 (2020)
Lebenswelt. Aesthetics and philosophy of experience.; N. 16 (2020)
Lebenswelt. Aesthetics and philosophy of experience.; No 16 (2020)
Lebenswelt. Aesthetics and philosophy of experience.; N. 16 (2020)
Lebenswelt. Aesthetics and philosophy of experience.; No 16 (2020)
Haneke’s 1997 adaptation of Franz Kafka’s Das Schloß (The Castle) is thus far his last work for television[1]. Although «the Austrian film almanac lists» it «as a feature film» and it «was released in Austrian cinemas before its television
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a45a1cac6c9b0f784e8e6dd417a64be1
Autor:
Rozzoni, Claudio
Publikováno v:
Aisthesis, Vol 10, Iss 1, Pp 117-130 (2017)
Aisthesis, Vol 10, Iss 1 (2017)
Aisthesis, Vol 10, Iss 1 (2017)
In a well-known course he gave in 1904-1905, Edmund Husserl developed a ‘threefold’ notion of image revolving around the notion of depiction [Abbildung]. More specifically, the phenomenological description allows a seeing-in to emerge as an essen
Autor:
Rozzoni, Claudio1 claudio.rozzoni@gmail.com
Publikováno v:
Studia Phaenomenologica. 2016, Vol. 16, p295-324. 30p.
Autor:
Molder, Jorge, Rozzoni, Claudio
Publikováno v:
Aisthesis, Vol 11, Iss 2 (2018)
This is the text of the Claudio Rozzoni's interview with Jorge Molder that took place in Portuguese on June 21, 2018, at the artist's atelier in Lisbon. English translation by Claudio Rozzoni.
Aisthesis. Pratiche, linguaggi e saperi dell’estet
Aisthesis. Pratiche, linguaggi e saperi dell’estet