Zobrazeno 1 - 10
of 46
pro vyhledávání: '"Roy Andersson"'
Autor:
Justyna Machaj
Publikováno v:
Studia Filmoznawcze, Vol 45, Pp 273-290 (2024)
This article focuses on Roy Andersson’s signature landscapes using theatrical (theatre of the absurd) and painting (the trompe d’oleil effect, the aesthetics of tableaux vivants) motifs. The author presents the complex web of roles that landscape
Externí odkaz:
https://doaj.org/article/d18b8302b52f4f249dcafe5a2b5b9308
Autor:
Dağaş, Tamer
Publikováno v:
SineFilozofi. 4:374-395
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=783448
Autor:
Bob Hanke
Publikováno v:
Film-Philosophy, Vol 23, Iss 1, Pp 72-92 (2019)
In this article, I explore three films that comprise Swedish director Roy Andersson's “Living Trilogy” – Songs from the Second Floor (2000); You, the Living (2007); and A Pigeon Sat on a Branch Reflecting on Existence (2014). My aim is to push
Externí odkaz:
https://doaj.org/article/588ff98f5a3947ffa3b4f9c1b163b71c
Autor:
Fátima Chinita
Publikováno v:
Journal of Science and Technology of the Arts, Vol 13, Iss 1 (2021)
This short piece analyses Pedro Afonso’s video essay on Roy Andersson’s Complex Image, an aesthetic style based on the tableau shot. It proceeds by scrutinizing the relationship Andersson’s aesthetic maintains with painting, slow cinema and pol
Externí odkaz:
https://doaj.org/article/311132368152479eb4fabd2960987bd9
Autor:
Pedro M. Afonso
Publikováno v:
Journal of Science and Technology of the Arts, Vol 13, Iss 1 (2021)
The work of Roy Andersson, a Swedish auteur that turned its back to Realism and embraced Abstractionism, embodies one of the few truly defying and groundbreaking attitudes in modern Cinema: the denial of speed. The current essay focus on the methods
Externí odkaz:
https://doaj.org/article/6a9821bfabae415bb296204ebaeea084
Akademický článek
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Autor:
Chinita, Fátima
Publikováno v:
Acta Universitatis Sapientiae, Film and Media Studies. (15):69-86
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=741016
Autor:
Tomić, Janica
Knjiga daje kritički prikaz značajnih fenomena švedske filmske povijesti, promišljajući postojeće interpretacije i nudeći vlastite. U fokusu su teme švedske i šire povijesti filma, minorne kinematografije (minor cinema), intermedijalnosti ni
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=57a035e5b1ae::2bdda7e2f6ee833bf18b42f337174e04
https://www.bib.irb.hr/1272714
https://www.bib.irb.hr/1272714
Autor:
Pethő Ágnes
Publikováno v:
Acta Universitatis Sapientiae: Film and Media Studies, Vol 11, Iss 1, Pp 39-76 (2015)
The paper proposes to focus on the multiple affordances and intermedial aesthetic of the cinematic tableau seen as a performative space resulting in the impression of watching a painting, a theatre stage, a shop window, a diorama, or a photo-filmic i
Externí odkaz:
https://doaj.org/article/a3d8560368a9418a9a3f51d07d0d660d
Publikováno v:
Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
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Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3056::beadc70e491137088ad4308ca547c600