Zobrazeno 1 - 10
of 27
pro vyhledávání: '"Rosie White"'
Autor:
Rosie White
Can comedy on television harbour elements of gender transgression or subversion? If a man is permitted to be'funny peculiar'– playing the underdog or misfit – does a woman seem stranger in his place? Mapping examples from British and American com
Autor:
Rosie White
The female spy has long exerted a strong grip on the popular imagination. With reference to popular fiction, film and television Violent Femmes examines the figure of the female spy as a nexus of contradictory ideas about femininity, power, sexuality
Autor:
Rosie White
This paper addresses the representation of second wave feminism in two mainstream comedy shows starring male comedians. Scott On … (BBC 1964–74) and a sketch narrative which featured in the 1980 season of The Two Ronnies (BBC 1971–1986) brought
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::eec3cee84ad64317b64c518cb15f98b5
Autor:
Rosie White
Publikováno v:
Women Who Kill.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::220242fddf53225a551c9a418dacc694
https://doi.org/10.5040/9781350150799.0025
https://doi.org/10.5040/9781350150799.0025
Autor:
Rosie White
Publikováno v:
Film International. 14:32-42
Working Girl (Mike Nichols, 1988) offered a Hollywood narrative of one woman’s achievement in the workplace, through its account of secretary Tess McGill (Melanie Griffiths) impersonating her female boss and eventually winning a place in senior man
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e6d51e9065f33c22ff4863cc17983121
https://doi.org/10.1386/fiin.14.3-4.32_1
https://doi.org/10.1386/fiin.14.3-4.32_1
Autor:
Rosie White
Publikováno v:
Social Semiotics. 26:298-310
In this essay I examine the traces of vaudeville performance in the first season of the early American television comedy series I Love Lucy (CBS, 1951–1957), proposing that while sitcom may be regarded as a narratively conservative format, it may a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::af05225507f6314a692824452175d176
https://doi.org/10.1080/10350330.2015.1134826
https://doi.org/10.1080/10350330.2015.1134826
Autor:
Hervé Mayer, Steven Peacock, Lorna Jowett, Lez Cooke, Walter C Metz, Janet McCabe, Dieter Declercq, Brett Mills, David Rolinson, Rosie White
Publikováno v:
Critical Studies in Television: The International Journal of Television Studies. 10:129-151
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b7bed0160b5581a8581bee4c05646e36
https://doi.org/10.7227/cst.10.2.10
https://doi.org/10.7227/cst.10.2.10
Autor:
Rosie White
Publikováno v:
English: Journal of the English Association. 66:285-287
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f7e35c81c3c5d9ab0cd8b15bc309b824
https://doi.org/10.1093/english/efx013
https://doi.org/10.1093/english/efx013
Autor:
Rosie White
Can comedy on television harbour elements of gender transgression or subversion? If a man is permitted to be ‘funny peculiar’ – playing the underdog or misfit – does a woman seem stranger in his place? Mapping examples from British and Americ
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9ee607cd6c6254b38989272d77d50a0c
https://doi.org/10.5040/9781788317498
https://doi.org/10.5040/9781788317498
Autor:
Rosie White
Publikováno v:
Comedy and the Politics of Representation ISBN: 9783319905051
Like masculinity, heterosexuality, or whiteness, the British suburban sitcom has been a relatively unexamined field in television studies. This chapter examines one of the most popular suburban sitcoms, Terry and June (1979–1987) in relation to the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2caadf9f287a8f0c0ab3e9f26c92e833
https://doi.org/10.1007/978-3-319-90506-8_8
https://doi.org/10.1007/978-3-319-90506-8_8