Zobrazeno 1 - 10
of 23
pro vyhledávání: '"Rosemarie Brucher"'
Autor:
Rosemarie Brucher
Publikováno v:
Studia theodisca, Vol 25, Iss 0, Pp 49-74 (2018)
Krausser’s texts play repeatedly with the radical disintegration of identity. In «Schmerznovelle» (2001) he describes the encounter between Johanna Palm, who suffers from a split personality, and the narrator, a psychiatrist with the obsessive wi
Externí odkaz:
https://doaj.org/article/12abaa5835e04025b005f6cf7cfad46c
Autor:
Rosemarie Brucher
Publikováno v:
Studia austriaca, Vol 21, Iss 0, Pp 155-174 (2013)
This article addresses the relation of Zerreißprobe (1970), the last performance work of the Viennese Actionist Günter Brus, to the tradition of Christian self-sacrifice. Three aspects of this relation are given particular attention: the aesthetici
Externí odkaz:
https://doaj.org/article/317f749969e94671821b1d6252279575
Autor:
Rosemarie Brucher
Publikováno v:
New German Critique. 46:151-170
Artistic self-injury, established as an art form since the late 1960s, polarizes the audience and still raises questions about the motivations behind such actions as well as about the narrative contexts in which they occur. While past research has fo
Autor:
Rosemarie Brucher
Publikováno v:
Forum Modernes Theater. 30:5-18
Mimesis und Identitatskritik: Schauspiel und die „Vielheit des Ich“ bei Platon, Diderot und Lacoue-Labarthe (Rosemarie Brucher)
Autor:
Rosemarie Brucher
Publikováno v:
Studia theodisca, Vol 25, Iss 0, Pp 49-74 (2018)
Krausser’s texts play repeatedly with the radical disintegration of identity. In «Schmerznovelle» (2001) he describes the encounter between Johanna Palm, who suffers from a split personality, and the narrator, a psychiatrist with the obsessive wi
Autor:
Rosemarie Brucher, Jenny Schrödl
Publikováno v:
Forum Modernes Theater. 32:29-30
Autor:
Rosemarie Brucher
Publikováno v:
Leviathan. :191-218
Autor:
Rosemarie Brucher
Publikováno v:
Journal of Austrian Studies. 46:41-65
This article addresses the coherencies linking subjectivity, power, and gender in the Austrian performance art of the late 1960s. It focuses especially on cross-dressing, that is, on performative gender-switching. Based on the confrontation of two ex
Autor:
Rosemarie Brucher
Publikováno v:
Maske und Kothurn. 57:153-166
Autor:
Rosemarie Brucher
Künstlerische Selbstverletzung - seit den 1960er Jahren international fester Bestandteil der Performance Art - polarisiert, verstört und wirft vor allem Fragen nach Handlungsmotivationen auf. Rosemarie Brucher deutet dieses radikale Phänomen als B