Zobrazeno 1 - 10
of 22
pro vyhledávání: '"Romain Bigé"'
Autor:
Romain Bigé
Publikováno v:
Revista Brasileira de Estudos da Presença, Vol 10, Iss 1 (2022)
Quando se fala da dança pós-moderna americana dos anos 1960 e 1970, fala-se com frequência de corpos, de movimentos e de procedimentos coreográficos democráticos. No entanto, certos aspectos dessas danças (des-hierarquização das partes do cor
Externí odkaz:
https://doaj.org/article/e4d52993b1fd43399462d5da56bb16b1
Autor:
Romain Bigé
Publikováno v:
Revista Brasileira de Estudos da Presença, Vol 10, Iss 1 (2022)
On parle souvent, à l’égard de la danse post-moderne américaine des années 1960 et 1970, de corps, de mouvements, de procédures chorégraphiques démocratiques. Pourtant, certains traits de ces danses (déhiérarchisation des parties du corps
Externí odkaz:
https://doaj.org/article/3d5239e1a5054d69b0b2f8ebc5425967
Autor:
Romain Bigé
Publikováno v:
Revista Brasileira de Estudos da Presença, Vol 10, Iss 1, Pp 01-38 (2020)
Quando se fala da dança pós-moderna americana dos anos 1960 e 1970, fala-se com frequência de corpos, de movimentos e de procedimentos coreográficos democráticos. No entanto, certos aspectos dessas danças (des-hierarquização das partes do cor
Externí odkaz:
https://doaj.org/article/7ff4ba21e0ae4d8fa2177d24b7f7fe37
Autor:
Romain Bigé
Publikováno v:
Revista Brasileira de Estudos da Presença, Vol 10, Iss 1, Pp 01-35 (2020)
On parle souvent, à l’égard de la danse post-moderne américaine des années 1960 et 1970, de corps, de mouvements, de procédures chorégraphiques démocratiques. Pourtant, certains traits de ces danses (déhiérarchisation des parties du corps
Externí odkaz:
https://doaj.org/article/72dad260f80343edbc3f36787dc70094
Autor:
Romain Bigé
Publikováno v:
Danza e Ricerca, Vol 7, Iss 8, Pp 251-264 (2016)
This bibliographic article proposes to draw up an inventory of the publications dedicated to the contact improvisation, an experimental form of movement initiated in the United States in 1972 by the choreographer and improviser Steve Paxton. From the
Externí odkaz:
https://doaj.org/article/c90ca7a553064f05aee2dd82593c9c1b
Publikováno v:
Behavioral Sciences, Vol 8, Iss 2, p 23 (2018)
Collective dance improvisation (e.g., traditional and social dancing, contact improvisation) is a participatory, relational and embodied art form which eschews standard concepts in aesthetics. We present our ongoing research into the mechanisms under
Externí odkaz:
https://doaj.org/article/ae4474c9e88447508eae693c55d8fe4b
Publikováno v:
Recherches en Danse
Recherches en Danse, revue.org, 2020, ⟨10.4000/danse.2998⟩
Recherches en Danse, revue.org, 2020, ⟨10.4000/danse.2998⟩
Cet entretien prend pour point de départ la notion d’experiential authorship, un concept développé par la danseuse américaine Chrysa Parkinson pour décrire sa pratique d’interprète : en quel sens, en tant que danseuse, puis-je me reconnaît
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::96331c04e37de44bed941f9c72c42044
http://journals.openedition.org/danse/2998
http://journals.openedition.org/danse/2998
Autor:
Romain Bigé
Publikováno v:
Perception, Cognition and Aesthetics, Routledge
Perception, Cognition and Aesthetics, Routledge, pp.319-332, 2019
Perception, Cognition and Aesthetics
Perception, Cognition and Aesthetics, Routledge, pp.319-332, 2019
Perception, Cognition and Aesthetics
International audience
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ec627c4c74d3c37b73ad1b7c73eed3c8
https://hal.archives-ouvertes.fr/hal-03251198/document
https://hal.archives-ouvertes.fr/hal-03251198/document
Publikováno v:
Behavioral Sciences
Behavioral Sciences, Vol 8, Iss 2, p 23 (2018)
Behavioral Sciences, MDPI, 2018, 8 (2), pp.23. ⟨10.3390/bs8020023⟩
Behavioral Sciences; Volume 8; Issue 2; Pages: 23
Behavioral Sciences, Vol 8, Iss 2, p 23 (2018)
Behavioral Sciences, MDPI, 2018, 8 (2), pp.23. ⟨10.3390/bs8020023⟩
Behavioral Sciences; Volume 8; Issue 2; Pages: 23
International audience; Collective dance improvisation (e.g., traditional and social dancing, contact improvisation) is a participatory, relational and embodied art form which eschews standard concepts in aesthetics. We present our ongoing research i