Zobrazeno 1 - 10
of 123
pro vyhledávání: '"Rolf Bader"'
Autor:
Rolf Bader
Publikováno v:
Applied Sciences, Vol 14, Iss 17, p 7446 (2024)
Multi-pitch perception is investigated in a listening test using 30 recordings of musical sounds with two tones played simultaneously, except for two gong sounds with inharmonic overtone spectra, judging roughness and separateness as the ability to t
Externí odkaz:
https://doaj.org/article/bd4f1b55cd56417fba5cf463b9354682
Publikováno v:
Acoustics, Vol 5, Iss 3, Pp 798-816 (2023)
Percussionists use a multitude of objects and materials, mounted on their instruments, to achieve a satisfying sound texture. This is a tedious process as there are no guidelines suggesting how to manipulate a percussion instrument to adjust its perc
Externí odkaz:
https://doaj.org/article/36f13745a95442da9b9d15f34562f91a
Autor:
Rolf Bader, Niko Plath
Publikováno v:
Acoustics, Vol 4, Iss 4, Pp 1013-1027 (2022)
The influence of internal damping on the vibration of a piano soundboard is investigated using a Finite-Difference Time Domain (FDTD) physical model and experimental measurements. The damping constant of the model is varied according to a range simil
Externí odkaz:
https://doaj.org/article/974d32d8a99b40a0b667151265e5510f
Publikováno v:
Proceedings of Meetings on Acoustics.
Autor:
Rolf Bader
Publikováno v:
Proceedings of Meetings on Acoustics.
Autor:
Rolf Bader
The music of the very remote regions in northern Myanmar reflects the change from tradition to modernization, political conflicts with the central government in a civil war raging since 1962, conflicts between ethnic groups in this region, and cultur
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3c8b4cc1438b17ca1e9d0f48afc188de
https://osf.io/preprints/socarxiv/ezr3p
https://osf.io/preprints/socarxiv/ezr3p
The music of Northern Myanmar Kachin ethnic group is compared to the music of western China, Xijiang based Uyghur music, using timbre and pitch feature extraction and machine learning. Although separated by Tibet, the muqam tradition of Xinjiang migh
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::fedb004c2d99891763f46e419d0b0aa6
https://osf.io/preprints/focusarchive/83hpr
https://osf.io/preprints/focusarchive/83hpr
Autor:
Rolf Bader
Publikováno v:
How Music Works ISBN: 9783030671549
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a14169412480b369676698e5806a0f66
https://doi.org/10.1007/978-3-030-67155-6_14
https://doi.org/10.1007/978-3-030-67155-6_14
Autor:
Rolf Bader
Publikováno v:
How Music Works ISBN: 9783030671549
There is no culture without music. There is also no culture that does not have the octave as a frame interval. No culture exists which does not use musical instruments without a harmonic overtone structure. Some use more, like Western music, some use
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::380ac8ff5dbb77b8d77a1ee185db8491
https://doi.org/10.1007/978-3-030-67155-6_16
https://doi.org/10.1007/978-3-030-67155-6_16