Zobrazeno 1 - 10
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pro vyhledávání: '"Roger Copeland"'
Autor:
Roger Copeland
Merce Cunningham and the Modernizing of Modern Dance is a complete study of the life and work of this seminal choreographer/dancer. More than just a biography, Copeland explores Cunningham's life story against a backdrop of an entire century of devel
Autor:
Roger Copeland
Publikováno v:
Balanchine: New Approaches ISBN: 9781315077208
Balanchine: New Approaches
Balanchine: New Approaches
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6f9e0f61d2dc021c0c0881465917031c
https://doi.org/10.4324/9781315077208-2
https://doi.org/10.4324/9781315077208-2
Autor:
Roger Copeland
Publikováno v:
Recherches en danse.
Dans son celebre essai, « Poete et danseur avant Diaghilev », Frank Kermode tente d’expliquer la ferveur poetique avec laquelle tant de poetes et d’intellectuels ont accueilli la pionniere de la danse moderne Loie Fuller, ainsi que les premiere
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c43d4711abd4518629b00a850ac5df08
https://doi.org/10.4000/danse.1786
https://doi.org/10.4000/danse.1786
Autor:
Roger Copeland
On screen, inanimate objects can be made to “dance” as surely as human dancers can be reduced to the status of objects. This is one way screendance redefines dance and establishes its uniqueness as a genre, differentiating itself from every conce
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::da97049b589b37db110a699d943c0b9c
https://doi.org/10.1093/oxfordhb/9780199981601.013.11
https://doi.org/10.1093/oxfordhb/9780199981601.013.11
Autor:
Roger Copeland
Publikováno v:
Dance Chronicle. 30:539-545
I met Sally Banes in l974 following a dance performance by Kenneth King on the Lower East Side of Manhattan. Sally and I had both ventured backstage to visit Kenneth after the performance and, know...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c34a04908b020f6e3a63eece0079f7fd
https://doi.org/10.1080/01472520701639126
https://doi.org/10.1080/01472520701639126
Autor:
Roger Copeland
Publikováno v:
TDR/The Drama Review. 46:11-28
Collage has been central to Cunningham's work from the very beginning in the 1950s. Unlike Wagner's Gesamtkunstwerk, which exemplifies a hunger for wholeness, collage appeals to an age that has come to distrust claims of closure, “unity,” and fix
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7dc78c4a1dc81992d142d245bd14f5dc
https://doi.org/10.1162/105420402753555822
https://doi.org/10.1162/105420402753555822
Autor:
Roger Copeland
Publikováno v:
Journal of Physical Education, Recreation & Dance. 62:53-56
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cc273c54f700b811572b2fc0ddffb0ae
https://doi.org/10.1080/07303084.1991.10604062
https://doi.org/10.1080/07303084.1991.10604062
Autor:
Roger Copeland
Publikováno v:
Theater. 22:67-77
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0a6a5ce334abd94d3418cdcfc51f94bc
https://doi.org/10.1215/01610775-22-3-67
https://doi.org/10.1215/01610775-22-3-67
Autor:
Roger Copeland
Publikováno v:
Dance History ISBN: 9780203137369
In their well-known book Theory of Literature (1949), Rene Wellek and Austin Warren distinguish between ‘intrinsic’ and ‘extrinsic’ approaches to criticism. Intrinsic critics (most notably, the so-called ‘New Critics’ who dominated litera
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2905f80649279b53bf57bcf7f113e46a
https://doi.org/10.4324/9780203137369-19
https://doi.org/10.4324/9780203137369-19