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Autor:
Roesner, David
Publikováno v:
Act: Musik & Performance. Aug2021, Issue 10, p1-28. 28p.
Autor:
Roesner, David
Attention to Sound The notion of sound design in theatre includes sound effects, ambiences, music and amplification and is used both for the process of crafting sonic events – and thus directing and manipulating an audience’s attention – and fo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::aa477f17d32d8ace9f638285f7f9d70d
Autor:
Roesner, David
This multi-authored article collects a range of position statements made by leading scholars/practitioners in the fields of theatre aurality, music theatre/opera and sound design. Contributors independently prepared short statements in response to a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3d5fa381a0fd69124e37fca3cb1b51c0
Autor:
Roesner, David
Die Schauspielmusik fristet seit jeher ein Schattendasein in der öffentlichen Wahrnehmung und in der Theater- und Musikwissenschaft. Dabei hat gerade die Digitalisierung der Produktionsmittel und die Erweiterung der Spiel- und Darstellungsformen und
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::aac46303ef1fb7c06cac4832573743d6
Aesthetics of Absence presents a significant challenge to the many embedded assumptions and hierarchical structures that have become ‘naturalised’ in western theatre production. This is the first English translation of a new collection of writing
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1b088055f129c537944c495fe56e0c57
Autor:
Roesner, David
This chapter explores three contemporary case studies of the British Musical, which push the boundaries of what might normally considered to belong to this artform and genre. They do so by challenging conventional creation processes, theatrical and m
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::837ac443cecb58b056b4cc10d7ec205d
Autor:
Roesner, David, Curtin, Adrian
An implicit goal of sound design across different genres is to achieve a result that 'sounds good'. What this means, how it might be achieved, and why it so often fails in theatre are issues that have rarely been discussed and analysed in an academic
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2f01825201e8586c631659c476791989