Zobrazeno 1 - 10
of 43
pro vyhledávání: '"Robin W. Fiddian"'
Autor:
Robin W. Fiddian
Publikováno v:
Romance Studies. 39:66-83
‘Pierre Menard, autor del Quijote’ has displayed remarkable creative and critical resilience since making its first appearance in May 1939, in the Buenos Aires cultural review, Sur (number 56). Cle...
Autor:
Robin W. Fiddian
''Provides the reader with a clear understanding of art in general, and prose fiction in particular, in Mexico and the Western world in our century. [The authors] commentaries on the modern and the postmodern are insightful, refreshing, and informati
Autor:
Robin W. Fiddian
Publikováno v:
Journal of Latin American Studies. 52:673-675
Autor:
Robin W. Fiddian
Publikováno v:
Hispanic Research Journal. 20:416-417
This volume showcases the work of early-career scholars working in modern peninsular Spanish studies as they seek a breakthrough into the institutional realm of the contemporary academy. It compris...
Las relaciones entre texto literario y texto cinematográfico siempre son complejas e implican una problemática semiótica muy particular. Frente a los estudios tradicionales de la "adaptación cinematográfica", en términos valorativos y jerárqui
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0a0cc2e5fcc5cc715145db0c291b1035
https://ddd.uab.cat/record/213861
https://ddd.uab.cat/record/213861
Publikováno v:
Bulletin of Spanish Studies. 89:793-806
The category of ‘dirty realism’ has been associated with Cuban fiction of the Special Period (1990–2005) by several critics including Anke Birkenmaier, Guillermina De Ferrari and Esther Whitfield.1...
Autor:
Robin W. Fiddian
Publikováno v:
Hispanic Research Journal. 11:131-143
The complexity of lead character Marco Zuloaga’s role in Hable con ella has been underestimated in existing studies of Almodóvar’s film, more enthralled by the sexually ambiguous figure of Benigno and his insemination-through-rape of Alicia. Thi
Autor:
Robin W. Fiddian
Publikováno v:
Arbor: Ciencia, Pensamiento y Cultura, Vol 186, Iss 741, Pp 69-77 (2010)
Arbor; Vol. 186 No. 741 (2010); 69-77
Arbor; Vol. 186 Núm. 741 (2010); 69-77
Arbor; Vol. 186 No. 741 (2010); 69-77
Arbor; Vol. 186 Núm. 741 (2010); 69-77
García Márquez’s relations with the cinema find their first expression in a series of film reviews that the author penned for the Colombian daily El Espectador, in the mid-nineteen fifties. There, he shows a particular predilection for Italian Ne
Autor:
Robin W. Fiddian
Publikováno v:
Romanic Review. 98:189-203
In the system of knowledge about the Orient, the Orient is less a place than a topos, a set of references, a congeries of characteristics, that seems to have its origin in a quotation, or a fragment of a text, or a citation from someone's work on the
Autor:
Robin W. Fiddian
Publikováno v:
Bulletin of Spanish Studies. 82:353-362
An intriguing feature of Fervor de Buenos Aires (1923) is the presence, within this inaugural collection of verse by Borges, of a poem about the sacred Hindu city of Benares. Situated on the banks ...