Zobrazeno 1 - 10
of 90
pro vyhledávání: '"Robert L. Ivie"'
Autor:
Robert L. Ivie, Oscar Giner
Hunt the Devil is a timely and illuminating exploration of demonic imagery in US war culture. In it, authors Robert L. Ivie and Oscar Giner examine the origins of the Devil figure in the national psyche and review numerous examples from US history of
Autor:
Robert L. Ivie
Publikováno v:
Javnost - The Public. 30:1-17
Autor:
Robert L. Ivie
Ivie explores the language of war supporters, soldiers, and antiwar activists and proposes strategies for resisting the dehumanizing language of war propaganda. His aim throughout is to focus attention on dissent from war as a viable and healthy prac
Publikováno v:
The SHAFR Guide Online
Externí odkaz:
https://doi.org/10.1163/2468-1733_shafr_SIM030180056
Publikováno v:
The SHAFR Guide Online
Externí odkaz:
https://doi.org/10.1163/2468-1733_shafr_SIM030180055
Autor:
Robert L. Ivie
Publikováno v:
Argumentation. 34:311-323
Martin Luther King, Jr.’s anti-war speech, “Beyond Vietnam,” is a noteworthy example of deliberation by dissent from the margins. Attention is given to the formation of his moral argument from similitude, its foundation in metaphor and archetyp
Autor:
Robert L. Ivie, Oscar Giner
This book probes the mythic underpinnings of U.S. war culture, asking how myth can be reconfigured to foster a discourse more conducive to a culture of peace. It breaks with an imperial mindset of endless warfare and places myth's creative potential
Autor:
Robert L. Ivie
Publikováno v:
Rhetoric and Public Affairs. 20:707-718
Autor:
Oscar Giner, Robert L. Ivie
Publikováno v:
Javnost - The Public. 24:199-217
Democracy’s capacity for peace is more fully realised in dissent, understood as an exercise in what Ernesto Laclau called popular reason grounded in rhetorical contingency to advance an ensemble of claims against ruling elites. In the case of antiw
Autor:
Robert L. Ivie
Publikováno v:
Rhetorica Scandinavica. :13-29
This paper charts a course through Kenneth Burke’s extensive body of works by focusing on his rhetorically inflected theory of social criticism. It progresses from Burke’s ideas about symbolic action and dramatism to a discussion of identificatio