Zobrazeno 1 - 7
of 7
pro vyhledávání: '"Robert Fahrner"'
Publikováno v:
Biotechnology and bioengineeringREFERENCES. 119(8)
A continuous viral inactivation (CVI) tubular reactor was designed for low pH viral inactivation within a continuous downstream system across multiple scales of operation. The reactors were designed to provide a minimum residence time of60 min. The e
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::76c94dd911be8f92c7b859a3628fe889
https://pubmed.ncbi.nlm.nih.gov/35470424
https://pubmed.ncbi.nlm.nih.gov/35470424
Autor:
Ranga Godavarti, Jonida Basha, Daniel LaCasse, Tarit Mukhopadhyay, John M. Frostad, Doug Millard, Aaron Noyes, Benjamin Huffman, Richard S. Wright, Nigel J. Titchener-Hooker, Jim Mullin, Khurram Sunasara, Robert Fahrner, Scott Cook
Publikováno v:
Journal of Membrane Science. 496:199-210
Depth filtration is employed in the production of many biological products. Although high throughput process development is available for most purification operations, options for high throughput depth filtration are limited. In this report, we descr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::559242a7c8fae4cf8c38b9cdff23acce
https://doi.org/10.1016/j.memsci.2015.07.010
https://doi.org/10.1016/j.memsci.2015.07.010
Autor:
Robert Fahrner
Publikováno v:
Theatre Survey. 19:155-170
In the late eighteenth century, and with increasing momentum in the early nineteenth, the minor theatres in London steadily challenged the monopoly of the two patent houses—with great ingenuity in circumventing several Licensing Acts; with highly i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dc580d9cf46442602574e72e6270a63c
https://doi.org/10.1017/s0040557400008486
https://doi.org/10.1017/s0040557400008486
Autor:
Robert Fahrner
Publikováno v:
Theatre Survey. 22:191-200
In his study of early nineteenth-century English pantomime, David Mayer III describes Harlequin Mother Goose—the 1806 Covent Garden production which first revealed the range of Joseph Grimaldi's comic genius—as “the end of nearly one hundred an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::946ab2370438851a76205629f47df0d3
https://doi.org/10.1017/s0040557400005536
https://doi.org/10.1017/s0040557400005536
Autor:
Robert Fahrner
Publikováno v:
Theatre Survey. 13:52-69
The importance of the afterpiece in David Garrick's managerial scheme is generally acknowledged, though most grant too casually, perhaps, that the “English Roscius” was also a practical and clever theatrical entrepreneur. He understood the popula
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::93ecf090e34b8cdbd3189b8b45df322e
https://doi.org/10.1017/s0040557400004841
https://doi.org/10.1017/s0040557400004841
Publikováno v:
Educational Theatre Journal. 27:559
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b870e87a3715686c9bacb37be8721f6a
https://doi.org/10.2307/3206404
https://doi.org/10.2307/3206404
Autor:
William Kleb, Robert Fahrner
Publikováno v:
Educational Theatre Journal. 25:5
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::68d563e2fe6686d5db494c9e6d00c129
https://doi.org/10.2307/3205831
https://doi.org/10.2307/3205831