Zobrazeno 1 - 10 of 19 pro vyhledávání: '"Risto Pekka Pennanen"'
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Akademický článek
Zagreb, London, Berlin, New York: The Origins of the Record Industry in Croatia (1902-1939)
Autor: Pekka Gronow, Risto Pekka Pennanen
Publikováno v: Arti Musices, Vol 53, Iss 2, Pp 219-236 (2022)
The record industry grew rapidly between 1900 and 1914. Although record production was concentrated in the largest industrialised countries, companies set out to create a global market by recording songs in all major languages. Typically, they sent t
Externí odkaz: https://doaj.org/article/6224f40e026546aeb3cadbfb9be0b8e9
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2
Zagreb, London, Berlin, New York: ishodišta diskografske industrije u Hrvatskoj (1902-1939)
Autor: Pekka Gronow, Risto Pekka Pennanen
Publikováno v: Arti musices : hrvatski muzikološki zbornik
Volume 53
Issue 2
The record industry grew rapidly between 1900 and 1914. Although record production was concentrated in the largest industrialised countries, companies set out to create a global market by recording songs in all major languages. Typically, they sent t
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ab9208e76824adcd0169ed2139ec2dfe
https://hrcak.srce.hr/file/421924
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7
Lost in scales: Balkan folk music research and the ottoman legacy
Autor: Risto Pekka Pennanen
Publikováno v: Muzikologija, Vol 2008, Iss 8, Pp 127-147 (2008)
Balkan folk music researchers have articulated various views on what they have considered Oriental or Turkish musical legacy. The discourses the article analyses are nationalism, Orientalism, Occidentalism and Balkanism. Scholars have handled the awk
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2e6469f0b60222af0741a7952b26804e
http://www.doiserbia.nb.rs/img/doi/1450-9814/2008/1450-98140808127P.pdf
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9
The development of chordal harmony in Greek rebetika and laika music, 1930s to 1960s
Autor: Risto Pekka Pennanen
Publikováno v: British Journal of Ethnomusicology. 6:65-116
This article addresses the effects of chordal harmony on makam‐ or dromos‐based Greek popular music, a feature almost completely ignored in previous research. The goal is to reconsider the asserted rapid Westernization of rebetika and especially
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::ee101607466595d3cfa97c20edebb948
https://doi.org/10.1080/09681229708567262
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