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Akademický článek
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Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination, by Braxton D. Shelley
Autor:
Cory Hunter
Publikováno v:
Journal of the American Musicological Society. 75:604-608
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::35deb9724ca4e0f53ab348572b013c75
https://doi.org/10.1525/jams.2022.75.3.604
https://doi.org/10.1525/jams.2022.75.3.604
Autor:
Shelley, Braxton Deonte
This dissertation develops an analytical paradigm for African American gospel music. By examining the music of Richard Smallwood in relation to the work of sixteen other gospel composers, this project reveals the complex of belief, performance, and r
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7c31f853a5f5ec7f1e0a92e3205705ac
Autor:
Harris, Hamil R.
Publikováno v:
Washington Informer; 2/8/2024, Vol. 59 Issue 17, p39-39, 2/3p
Autor:
Harris, Hamil R.
Publikováno v:
Washington Informer; 12/7/2023, Vol. 59 Issue 8, p44-44, 3/4p
Publikováno v:
Tire Business. 6/8/2020, Vol. 38 Issue 5, p14-14. 1p.
Autor:
Xenakis, V. S.
Publikováno v:
Choice: Current Reviews for Academic Libraries; May2022, Vol. 59 Issue 9, p1117-1117, 1/4p
Autor:
Braxton D. Shelley
Between the first and last words of a black gospel song, musical sound acquires spiritual power. During this unfolding, a variety of techniques facilitate musical and physical transformation. The most important of these is a repetitive musical cycle