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pro vyhledávání: '"Richard R. Ness"'
Autor:
Richard R. Ness
When Robert Altman arranged to produce director Alan Rudolph’s Welcome to L. A. in 1976 it was inevitable, given their past association, that critics would make comparisons to Altman’s work. Through an analysis of how each director tackled films
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c34b387089db6507342031a133f6682c
https://doi.org/10.3366/edinburgh/9781474478854.003.0005
https://doi.org/10.3366/edinburgh/9781474478854.003.0005
Autor:
Richard R. Ness
Publikováno v:
The Soundtrack Album ISBN: 9780429450488
The Soundtrack Album
The Soundtrack Album
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d04de8c4b413ffeea52eecfe36f6a95a
https://doi.org/10.4324/9780429450488-12
https://doi.org/10.4324/9780429450488-12
Autor:
Richard R. Ness
From All the President's Men to Zodiac, some of the most compelling films of the last century have featured depictions of journalists in action.While print journalism struggles to survive, the emergence of news from social media outlets continues to
Autor:
Richard R. Ness
Publikováno v:
A Companion to Alfred Hitchcock
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a0c5c3967e81bdee9bbaf7f34afb7708
https://doi.org/10.1002/9781444397321.ch6
https://doi.org/10.1002/9781444397321.ch6
Autor:
Richard R. Ness
Publikováno v:
Cinema Journal. 47:52-73
Just as 1940s noir films represented a challenge to the security of home and family, their musical scores defied the emphasis on tonality common in classical Hollywood scoring practices. Scores for the nostalgic second noir cycle are characterized by
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::196520a50301921e2a29f06861631262
https://doi.org/10.1353/cj.2008.0011
https://doi.org/10.1353/cj.2008.0011