Zobrazeno 1 - 10 of 40 pro vyhledávání: '"Richard Paul Knowles"'
2
Antitheatricality, Ibsen, and Black Women's Bodies
Autor: Richard Paul Knowles
Publikováno v: South Central Review. 25:163-169
Late in Bodies in Dissent, Daphne A. Brooks' extraordinarily dense exploration of transatlantic black popular performance from 1850 to 1910, Brooks describes black actor/dancer Aida Overton Walker's historic performance of Salome (the first black per
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::8e7c02b028b8a3b11d56849f01f29329
https://doi.org/10.1353/scr.2008.0009
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3
The Death of a Chief : Watching for Adaptation; or, How I Learned to Stop Worrying and Love the Bard
Autor: Richard Paul Knowles
Publikováno v: Shakespeare Bulletin. 25:53-65
This article is the record of a talk that was less about Shakespeare than about the uses to which Shakespeare can be put. It was written for the "Watching Ourselves Watching Shakespeare" conference, a public event organized around three productions b
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::392953e1933cdc8d99cce6ce9cf38e7b
https://doi.org/10.1353/shb.2007.0051
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5
Drama
Autor: Richard Paul Knowles
Publikováno v: University of Toronto Quarterly. 68:307-328
Reviews of drama published in canada in 1997.
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::2905582383137d39ecdfc86f7ea1588b
https://doi.org/10.3138/utq.68.1.307
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6
'The Real of It Would Be Awful': Representing the Real Ophelia in Canada
Autor: Richard Paul Knowles
Publikováno v: Theatre Survey. 39:21-40
Judith Thompson's 1992 “relay” play, Lion in the Streets, opens with an address to the audience by the young Portuguese girl, Isobel, who provides the through-line and a bridge among the play's linked scenes. Her speech frames the play by introdu
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::771d05a3b0ef2ae629f42af38e0797d6
https://doi.org/10.1017/s0040557400003008
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7
Drama
Autor: Richard Paul Knowles
Publikováno v: University of Toronto Quarterly. 67:67-93
Reviews of drama published in Canada in 1996.
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::42500d54a8132ceb37f21995920d3a69
https://doi.org/10.3138/utq.67.1.67
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8
From Dream to Machine: Peter Brook, Robert Lepage, and the Contemporary Shakespearean Director as (Post) Modernist
Autor: Richard Paul Knowles
Publikováno v: Theatre Journal. 50:189-206
This essay considers the cultural work done by the role of the Shakespearean director, locates the discourses and practices of contemporary Shakespearean directing within the appropriative discourses and practices of high modernist formalism, and tra
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::f298ebb898608f6f0124cb697ff1b4c7
https://doi.org/10.1353/tj.1998.0045
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9
Book Reviews
Autor: Harry Vanderlist, null Wisenthall, Philip Auslander, Susan Bennett, Richard Paul Knowles, Anthony O'Brian, David Krasner, J. Ellen Gainor
Publikováno v: Modern Drama. 40:163-180
H. Porter Abbott, Beckett Writing Beckett: The Author in the Autograph, reviewed by Harry Vanderlist Stanley Weintraub, Shaw's People: Victoria to Churchill, reviewed by J.L Wisenthall Elinor Fuchs, The Death of Character: Perspective on Theater afte
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::b6748df0f76a8819f27f090d7f64251b
https://doi.org/10.3138/md.40.1.163
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