Zobrazeno 1 - 10
of 12
pro vyhledávání: '"Richard Nowell"'
Autor:
Esko Lyytinen, Randolph S. Longenbaugh, L. Bright, Richard Nowell, Alan R. Hildebrand, Nicholas Moskovitz, Samantha F. Edgington, Jim Albers, Donald Hladiuk, Lincoln Tj Hanton, Eric C. Stern, Scott D. Rudlosky, Peter Jenniskens, Christopher O. Johnston, C. Tillier, Fabio Ciceri, Steven J. Goodman, Dwayne Free
Publikováno v:
Meteoritics & Planetary Science. 53:2445-2469
Autor:
Richard Nowell
Publikováno v:
Media Industries Journal. 3
Review of Grindhouse Nostalgia: Memory, Home Video, and Exploitation Film Fandom by David Church, Edinburgh: Edinburgh University Press, 2015
Autor:
Richard Nowell
Publikováno v:
Grindhouse.
Autor:
Richard Nowell
Publikováno v:
Journal of Film and Video. 63:28-44
SCHOLARSHIP ON 1970S AMERICAN INDEPENDENT filmmaking has tended to fall into one of two categories. First, there are the examinations of maverick filmmakers? Hal Ashby, Robert Altman, Arthur Penn, and others? whose "independence" is determined largel
Autor:
Richard Nowell
Publikováno v:
Cinema Journal. 51:115-140
Whereas scholars have suggested that early teen slasher films like Halloween (John Carpenter, 1978) and Prom Night (Paul Lynch, 1980) were made primarily for male youth, this article reveals the extent to which producers and distributors tailored the
Autor:
Richard Nowell
Even though horror has been a key component of media output for almost a century, the genre's industrial character remains under explored and poorly understood. Merchants of Menace: The Business of Horror Cinema responds to a major void in film histo
Autor:
Richard Nowell
Publikováno v:
Directory of World Cinema: American Hollywood 2 ISBN: 9781783204915
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::390b63148f7f74578a7dc968324a69ee
https://doi.org/10.2307/j.ctv36xw50s.16
https://doi.org/10.2307/j.ctv36xw50s.16
Autor:
Richard Nowell
Publikováno v:
Merchants of Menace.
Autor:
Richard Nowell
Publikováno v:
Merchants of Menace.
Autor:
Richard Nowell
Publikováno v:
InMedia.
By concentrating on elements of film content and the cultural politics of feminist activists, scholars have suggested that Hollywood’s women-in-danger films of the early 1980s represented the greatest misogynist trend in the history of American cin