Zobrazeno 1 - 10
of 18
pro vyhledávání: '"Richard George Elliott"'
Publikováno v:
Art in Translation. 12:293-301
Written in response to Robert Rauschenberg’s first solo exhibition in Paris, this article describes some of the works on show and seeks to differentiate Rauschenberg’s work from that of Marcel Duch...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::07aa17ce4756a6b8b842e1b13be82195
https://doi.org/10.1080/17561310.2021.1876727
https://doi.org/10.1080/17561310.2021.1876727
Publikováno v:
Art in Translation. 10:302-351
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::db88f0382cd9c2cd1e3365dd9603e925
https://doi.org/10.1080/17561310.2018.1518829
https://doi.org/10.1080/17561310.2018.1518829
Autor:
Richard George Elliott, Abdou Sylla
Publikováno v:
Art in Translation. 10:277-301
Reverse glass painting arrived in Senegal in the early twentieth century, essentially as a religious art form, which helped to disseminate Islam in Senegal. Glass painting also became a useful visu...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6766c5acbc3f0948af68f7e52deb21a9
https://doi.org/10.1080/17561310.2018.1509605
https://doi.org/10.1080/17561310.2018.1509605
Publikováno v:
Art in Translation. 8:314-374
Himmelheber’s article is an exploration of mask styles in African art and whether some masks could be said to resemble portraiture from a Western European perspective. Himmelheber is challenging Douglas Fraser’s assertion that African artists wer
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ebb094b9416c8e832caf2d504cfface6
https://doi.org/10.1080/17561310.2016.1227680
https://doi.org/10.1080/17561310.2016.1227680
Autor:
Margit Kern, Richard George Elliott
Publikováno v:
Art in Translation. 8:283-313
This article discusses image theories of missionaries in sixteenth-century New Spain. It contextualizes the practice of adapting indigenous Mesoamerican iconography by mendicant friars for the purpose of evangelization within contemporaneous European
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::342473e150178fbad158b48c550e5b5a
https://doi.org/10.1080/17561310.2016.1195666
https://doi.org/10.1080/17561310.2016.1195666
Autor:
Gus Bofa, Richard George Elliott
Publikováno v:
Art in Translation. 8:62-68
This essay, first published in 1925, argues for the absurd to be taken as the fundamental principle for animation, if not all film. To this end, Bofa, a graphic artist and critic, draws on and idiosyncratically updates Henri Bergson’s theory of lau
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::81f9d7d11c9cbebf5a68aa721729861c
https://doi.org/10.1080/17561310.2016.1143709
https://doi.org/10.1080/17561310.2016.1143709
Publikováno v:
Art in Translation. 8:69-78
This 1934 essay casts the nineteenth-century graphic artist J.J. Grandville as a precursor of surrealism, Walt Disney and George Melies. Mac Orlan claims that his primary motivation in writing the piece is to connect Grandville and cinema, exemplifie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::78303f814f70c4ac7b41f4c42b523454
https://doi.org/10.1080/17561310.2016.1143714
https://doi.org/10.1080/17561310.2016.1143714
Autor:
Joseph Plateau, Richard George Elliott
Publikováno v:
Art in Translation. 8:11-18
This is a short open letter to the French-speaking scientific community dated January 1833. It is significant for offering the first published, unequivocal description of the “illusion of movement” achieved using animated dra known as the Phenaki
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3069fd2cf5096e945a6b87358ab3931a
https://doi.org/10.1080/17561310.2016.1143704
https://doi.org/10.1080/17561310.2016.1143704
Publikováno v:
Art in Translation. 8:108-127
This essay puts forward a case for the importance of engaging with cinematography’s photogrammes. Originally published in French in Cahiers du cinema in 1971, it responds to Roland Barthes’s now famous essay “The Third Meaning” that had appea
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bcecbfec511b4cc070d2bb6a050802e4
https://doi.org/10.1080/17561310.2016.1147233
https://doi.org/10.1080/17561310.2016.1147233
Publikováno v:
Art in Translation. 8:53-61
This is the script of a 1932 radio lecture on the future of animation. Diebold’s central interest is its abstract forms, also known as “absolute film” and “visual music.” Dividing much of his time between a comparative assessment of Disney
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ef5dc96265c69bb3ec60c0e402fd54b1
https://doi.org/10.1080/17561310.2016.1144273
https://doi.org/10.1080/17561310.2016.1144273