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pro vyhledávání: '"Richard George Elliott"'
Akademický článek
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Autor:
Iain Boyd Whyte, Claudia Hopkins
Publikováno v:
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990 ISBN: 9781003009979
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9e1fec1f97cf49715a99cd1054152652
https://doi.org/10.4324/9781003009979-141115
https://doi.org/10.4324/9781003009979-141115
Autor:
Claudia Hopkins, Iain Boyd Whyte
Publikováno v:
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990 ISBN: 9781003009979
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::67baed47a8d8e8fc0daf70b23e0b276c
https://doi.org/10.4324/9781003009979-137111
https://doi.org/10.4324/9781003009979-137111
Autor:
Claudia Hopkins, Iain Boyd Whyte
Publikováno v:
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990 ISBN: 9781003009979
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6af3bc8530979b8a284dfb866c40baa8
https://doi.org/10.4324/9781003009979-136110
https://doi.org/10.4324/9781003009979-136110
Kniha
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Autor:
Ulrich Lehmann, Théophile Gautier
Publikováno v:
Art in Translation. 7:205-211
Writing in mid-nineteenth-century Paris, Gautier asserts that clothing is of the upmost importance in society and deplores the lack of interest among artists in depicting men and women in modern dress. He strongly criticizes the nostalgia for the cla
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cd3ed3076ddd38cf5004c787cb504f69
https://doi.org/10.1080/17561310.2015.1038901
https://doi.org/10.1080/17561310.2015.1038901
Publikováno v:
Art in Translation. 12:293-301
Written in response to Robert Rauschenberg’s first solo exhibition in Paris, this article describes some of the works on show and seeks to differentiate Rauschenberg’s work from that of Marcel Duch...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::07aa17ce4756a6b8b842e1b13be82195
https://doi.org/10.1080/17561310.2021.1876727
https://doi.org/10.1080/17561310.2021.1876727
Publikováno v:
Art in Translation. 10:302-351
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::db88f0382cd9c2cd1e3365dd9603e925
https://doi.org/10.1080/17561310.2018.1518829
https://doi.org/10.1080/17561310.2018.1518829
Autor:
Richard George Elliott, Abdou Sylla
Publikováno v:
Art in Translation. 10:277-301
Reverse glass painting arrived in Senegal in the early twentieth century, essentially as a religious art form, which helped to disseminate Islam in Senegal. Glass painting also became a useful visu...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6766c5acbc3f0948af68f7e52deb21a9
https://doi.org/10.1080/17561310.2018.1509605
https://doi.org/10.1080/17561310.2018.1509605
Publikováno v:
Art in Translation. 8:314-374
Himmelheber’s article is an exploration of mask styles in African art and whether some masks could be said to resemble portraiture from a Western European perspective. Himmelheber is challenging Douglas Fraser’s assertion that African artists wer
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ebb094b9416c8e832caf2d504cfface6
https://doi.org/10.1080/17561310.2016.1227680
https://doi.org/10.1080/17561310.2016.1227680