Zobrazeno 1 - 10
of 26
pro vyhledávání: '"Richard G. King"'
Autor:
Richard G. King
Publikováno v:
Early Music. 36:181-202
Employing the example of Alexander the Great in opera seria, this essay reconsiders the performance of heroic roles in the 18th century. One of its aims is to extend our current understanding of Baroque gesture by taking seriously what contemporary a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1ca43345e80fd278b9e04a834ff0b9c7
https://doi.org/10.1093/em/cam136
https://doi.org/10.1093/em/cam136
Autor:
Richard G. King
Publikováno v:
The Musical Quarterly. 84:137-163
In 1996 I came across a reference in the Bibliotheque nationale's card catalog to a manuscript titled The Happy Captive. A quick perusal of the manuscript's contents served to pique my interest, and with a little effort, I was soon able to attach to
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::72230065edf39ea1aa2ed76839de32d8
https://doi.org/10.1093/mq/84.1.137
https://doi.org/10.1093/mq/84.1.137
Autor:
Richard G. King
Publikováno v:
Music and Letters. 79:190-218
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c7a88888c5904281121c8c90bb4c37fd
https://doi.org/10.1093/ml/79.2.190
https://doi.org/10.1093/ml/79.2.190
Autor:
Richard G. King
Publikováno v:
Journal of the American Musicological Society. 50:502-506
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ec0a51e281b7de50398f8f643b1ac1dd
https://doi.org/10.1525/jams.1997.50.2-3.03a00120
https://doi.org/10.1525/jams.1997.50.2-3.03a00120
Autor:
Richard G. King
Publikováno v:
Journal of the American Musicological Society. 50:502-506
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a6926866a61922ba4b57d806fc528060
https://doi.org/10.2307/831846
https://doi.org/10.2307/831846
Autor:
Richard G. King
Publikováno v:
The Musical Quarterly. 81:109-138
The provenance of Handel's conducting scores is well known. From Handel, they passed to John Christopher Smith, father and son, to the Rivers family, the Bristol book dealer Thomas Kerslake, Victor Schoelcher, Friedrich Chrysander, and finally the St
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5ce6f52231d033a5955372b9222bae89
https://doi.org/10.1093/mq/81.1.109
https://doi.org/10.1093/mq/81.1.109
Autor:
Richard G. King
Publikováno v:
Music and Letters. 77:34-63
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f50e57fcb0a1cef4cac61ef2cf54c0e9
https://doi.org/10.1093/ml/77.1.34
https://doi.org/10.1093/ml/77.1.34
Autor:
RICHARD G. KING
Publikováno v:
Music and Letters. 76:427-431
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7fb7bf566bda1dd91ecd8e6ae5d1dbe2
https://doi.org/10.1093/ml/76.3.427
https://doi.org/10.1093/ml/76.3.427
Autor:
Richard G. King, Saskia Willaert
Publikováno v:
Journal of the Royal Musical Association. 118:246-275
In the autumn of 1748 the opera audience in London was introduced to a newly arrived troupe of Italian singers, an eccentric impresario and an operatic genre previously unknown in England. The buffo company, led by ‘Doctor’ Giovanni Francesco Cro
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2130fc6340efa947bbc7824b81faa170
https://doi.org/10.1093/jrma/118.2.246
https://doi.org/10.1093/jrma/118.2.246
Autor:
Richard G. King
Publikováno v:
Music and Letters. 72:372-386
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5f29b491248e1f04b9eafbad8a029db3
https://doi.org/10.1093/ml/72.3.372
https://doi.org/10.1093/ml/72.3.372