Zobrazeno 1 - 10
of 46
pro vyhledávání: '"Richard Freadman"'
Autor:
Richard Freadman
Publikováno v:
Life Writing. :1-4
Autor:
Richard Freadman
High Noon at Starbucks is an eloquent and compelling exploration of human particularity in diverse cultural settings: the author's hometown of Melbourne, Trumpite Florida, posthandover Hong Kong, and Switzerland. Its themes include midlife experience
Autor:
Richard Freadman, Paula Bain
Publikováno v:
Body Language ISBN: 9781315531250
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1c5600c0dfff5fb00a0ca819c6b58c12
https://doi.org/10.4324/9781315531250-7
https://doi.org/10.4324/9781315531250-7
Autor:
Paula Bain, Richard Freadman
Publikováno v:
Life Writing. 13:105-126
This essay describes the first phase of a project in which life writing is used as a form of person-centred care for people who have, or appear to have, dementia. Section one of the essay considers the relationship between the academic field of life
Publikováno v:
Biography. 38:479-486
Autor:
Richard Freadman
Publikováno v:
Society. 52:490-497
This article discusses ways in which autobiographical writing of cancer experience can be used by non-professional writers living with the disease or its aftermath, and has been used by professional writers in published cancer memoirs, to help find m
Autor:
Richard Freadman
Stepladder to Hindsight is about a fascinating man who has reached a turning point in his life and looks back. In this work, renowned academic and life-writer Richard Freadman turns the pen on himself, producing an immensely compelling narrative of h
Autor:
Richard Freadman
Publikováno v:
Life Writing. 9:377-390
Inga Clendinnen's Tiger's Eye is a brilliant, if conflicted, work of what I term ‘illness life writing’ (as opposed to the scientistic terms ‘pathography’ or ‘autopathography’). In fact, no single generic descriptor can do justice to this
Autor:
Richard Freadman
Publikováno v:
Philosophy and Literature. 35:388-398
Autor:
Richard Freadman
Publikováno v:
Partial Answers: Journal of Literature and the History of Ideas. 7:279-297
It is often assumed that Testimony and Autobiography are clearly distinct genres. On this view Testimony conveys eye-witness reports of particular tragic events, whether momentary or of longer duration (e.g. years in a concentration camp), while Auto