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Autor:
Richard, David Evan
Publikováno v:
Continuum: Journal of Media & Cultural Studies; Apr2023, Vol. 37 Issue 2, p279-295, 17p
Autor:
Richard David Evan
Publikováno v:
Film Phenomenology and Adaptation ISBN: 9789048543052
Film Phenomenology and Adaptation
Film Phenomenology and Adaptation
Rejecting any binary thinking that would have reading novels as an act of imagination while films are received through perception, this chapter examines how adaptations are experienced through the embodied imagination. This chapter builds upon approa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::57bf2a204c93fd14db41b9fe19e1c8c4
https://doi.org/10.5117/9789463722100_ch04
https://doi.org/10.5117/9789463722100_ch04
Autor:
Richard David Evan
Publikováno v:
Film Phenomenology and Adaptation ISBN: 9789048543052
The conclusion of the book re-examines the value of film-phenomenology in the evaluation and appreciation of film adaptation. I argue that before we make sense of an adaptation we must first attend to their sensual experience: their sight, their soun
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::665609363cf9c36f1c2e8b96cd540965
https://doi.org/10.5117/9789463722100_concl
https://doi.org/10.5117/9789463722100_concl
Autor:
Richard David Evan
Publikováno v:
Film Phenomenology and Adaptation ISBN: 9789048543052
Film Phenomenology and Adaptation
Film Phenomenology and Adaptation
This chapter attends to the phenomenological quality of sound and how it contributes to the experience and appreciation of adaptation. Attending to an adaptation’s soundscape not only reveals how it faithfully ‘re-sounds’ its source novel throu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::92ee3d7d351ee19bd8f26d1468188aa9
https://doi.org/10.5117/9789463722100_ch02
https://doi.org/10.5117/9789463722100_ch02
Autor:
Richard David Evan
Publikováno v:
Film Phenomenology and Adaptation ISBN: 9789048543052
Film Phenomenology and Adaptation
Film Phenomenology and Adaptation
Adaptation criticism may begin as an act of memory, but while adaptation is a medium for memory it is also a medium of memory. This chapter considers adaptation as a form of memory work, paralleling adaptation’s textual layering with memory’s lay
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b2284a9d6fadd9cbc16ab359c82946ad
https://doi.org/10.5117/9789463722100_ch05
https://doi.org/10.5117/9789463722100_ch05
Autor:
Richard David Evan
Publikováno v:
Film Phenomenology and Adaptation ISBN: 9789048543052
Film Phenomenology and Adaptation
Film Phenomenology and Adaptation
Rather than approaching the ‘look’ of adaptation through point of view or the ‘vision’ of the adapter, this chapter examines the material, visible texture of screen adaptation. Using two adaptations of Bram Stoker’s gothic novel Dracula, I
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::86f22b746bee465953cf2b5d6e9aba46
https://doi.org/10.5117/9789463722100_ch01
https://doi.org/10.5117/9789463722100_ch01
Autor:
Richard David Evan
Publikováno v:
Film Phenomenology and Adaptation ISBN: 9789048543052
Film Phenomenology and Adaptation
Film Phenomenology and Adaptation
While the previous chapters have explored the materiality of adaptation and perception, this chapter explicitly examines how screen adaptations appeal to the spectator’s tactile sensitivity. This chapter draws on film-phenomenological approaches—
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4fe7d9192a020ffd5c074bf18b6da462
https://doi.org/10.5117/9789463722100_ch03
https://doi.org/10.5117/9789463722100_ch03