Zobrazeno 1 - 10
of 17
pro vyhledávání: '"Ricardo De Mambro Santos"'
Autor:
Ricardo De Mambro Santos
Publikováno v:
Journal of Art Historiography, Vol 27, Pp 27-RdMS1 (2022)
Originally written in 1905 and included in the volume Problemi di estetica (Questions on Aesthetics), first published in 1910, this short yet dense essay by Benedetto Croce explores the aesthetic and critical implications of the concept of macchia. T
Externí odkaz:
https://doaj.org/article/9746cbb318b742c796f72c2d34c80145
Autor:
Ricardo De Mambro Santos
Publikováno v:
Journal of Art Historiography, Iss 24, Pp 24-RdMS1 (2021)
The volume explores the Eurocentrism that has characterised practices and discourses related to Western art phenomena from the sixteenth to the twenty-first century, examining the critical, aesthetic and ideological implications of such a pervasively
Externí odkaz:
https://doaj.org/article/350e5c00640f4acea2276b2b1a5a5c4b
Autor:
Ricardo De Mambro Santos
Publikováno v:
Journal of Art Historiography, Iss 21, Pp 21-RDMS1 (2019)
This publication provides a scholarly-conducted English translation of Leonardo da Vinci’s “Trattato della pittura”, and examines, in a cohesive collection of essays written by specialists in the field, the complex process of elaboration, trans
Externí odkaz:
https://doaj.org/article/46e334ce2ee64905a2b8f8eb768cd2f2
Autor:
Ricardo De Mambro Santos
Publikováno v:
Religions, Vol 12, Iss 11, p 994 (2021)
This essay analyses Leonardo da Vinci’s innovative iconography in the making of the panel known as the Virgin of the Rocks (Paris, Louvre) in relation to his considerations on the important Renaissance debate of Paragone, or comparison among the ar
Externí odkaz:
https://doaj.org/article/03559322f33f4b8680a824e270c96b65
Autor:
Ricardo de Mambro Santos
Publikováno v:
Journal of Art Historiography, Vol 3, Pp 3-RdMS/2 (2010)
Externí odkaz:
https://doaj.org/article/59b4eaec0df7426ca5b331ee3d3d486d
Autor:
Ricardo De Mambro Santos
Publikováno v:
Journal of Art Historiography, Vol 2, Pp 2-RdMS/1 (2010)
Generally considered as a monument of erudition and examined almost exclusively from a philological point of view, Julius von Schlosser's "Kunstliteratur" (Vienna, 1924) is seldom analyzed, on the contrary, from a theoretical, conceptual or philosoph
Externí odkaz:
https://doaj.org/article/833a389973504f7cb422b648ba576ebc
Autor:
Ricardo De Mambro Santos
Publikováno v:
Indecent Bodies in Early Modern Visual Culture ISBN: 9789048551774
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ee30df5fc9cd29fc758481b01362f1ae
https://doi.org/10.1515/9789048551774-008
https://doi.org/10.1515/9789048551774-008
Autor:
Ricardo De Mambro Santos
Publikováno v:
Indecent Bodies in Early Modern Visual Culture ISBN: 9789048551774
Usually referred to as Allegories of Love, the four paintings at the Kunsthistorisches Museum of Vienna created by Pauwels Franck (1540‒1596), aka Paolo Fiammingo, present scenes of almost choreographic sexual encounters and love-related narratives
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ff6903acac67969a40acd6ec7abf1a88
https://doi.org/10.2307/j.ctv32dnbbh.10
https://doi.org/10.2307/j.ctv32dnbbh.10
Autor:
Ricardo De Mambro Santos
Publikováno v:
Renaissance Quarterly. 75:1004-1006
Autor:
Ricardo De Mambro Santos
Publikováno v:
SWS International Scientific Conferences on ART and HUMANITIES - ISCAH.
The paper examines Karel van Mander�s consistent descriptions of artistic incompetence, technical mediocrity, and creative failure in Het Schilder-Boeck � or The Book of Painting, first published in Alkmaar 1604 � in the attempt to understand t