The Dramaturgy of the Body in the Indian Theatre as a Visible Poetry

Autor: Ricardo Carlos Gomes, Priscilla de Queiroz Duarte

Publikováno v: Revista Brasileira de Estudos da Presença, Vol 7, Iss 1, Pp 154-183 (2017)

This article intends to analyze the concept of dṛśya kāvya (visible poetry) from the Indian scenic tradition, as a proposal to a dramaturgy of the body. Starting from the impact that the Asian scenic tradition caused in the European theater in th

Externí odkaz: https://doaj.org/article/0f9468740a894bdd8cffb970ae77a3d7

A Dramaturgia do Corpo no Teatro Indiano como Visivel Poesia

Autor: Ricardo Carlos Gomes (Universidade Federal de Ouro Preto ‒ UFOP, Ouro Preto/MG, Brasil), Priscilla de Queiroz Duarte (Universidade Federal de Minas Gerais ‒ UFMG, Belo Horizonte/MG, Brasil)

Publikováno v: Revista Brasileira de Estudos da Presença, Vol 7, Iss 1 (2016)

No presente artigo, discute-se o conceito de dṛśya kāvya (visivel poesia) da tradicao cenica indiana como proposta de dramaturgia do corpo. Partindo do impacto que as tradicoes cenicas asiaticas provocaram no teatro europeu no seculo XX, sao anal

Externí odkaz: https://doaj.org/article/cf5ffbbe01864abfac1a91851d336d81

'A Quite Diferent Life'

Autor: Ricardo Carlos Gomes

Publikováno v: Revista Brasileira de Estudos da Presença, Vol 3, Iss 1, Pp 348-352 (2013)

Review of Zygmunt Molik’s Work on Voice and Body: the legacy of Jerzy Grotowski, a volume developed from Molik’s interviews with Italian researcher Giuliano Campo. In the book, questions and comments posed by Campo guide the reflections of the Po

Externí odkaz: https://doaj.org/article/32610d29d6924b5d94b6330eae49164e

La Dramaturgie du Corps dans le Theatre Indienne come Visible Poesie

Autor: Ricardo Carlos Gomes, Priscilla de Queiroz Duarte

Publikováno v: Brazilian Journal on Presence Studies; Vol. 7 No. 1 (2017): jan./abr. 2017; 154-183
Révue Brésilienne d'Études de la Présence; Vol. 7 No. 1 (2017): jan./abr. 2017; 154-183
Révue Brésilienne d'Études de la Présence; Vol. 7 No 1 (2017): jan./ abr. 2017; 154-183
Revista Brasileira de Estudos da Presença; v. 7 n. 1 (2017): jan./abr. 2017; 154-183
Revista Brasileira de Estudos da Presença
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
Revista Brasileira de Estudos da Presença, Vol 7, Iss 1, Pp 154-183 (2017)

This article intends to analyze the concept of dṛśya kāvya (visible poetry) from the Indian scenic tradition, as a proposal to a dramaturgy of the body. Starting from the impact that the Asian scenic tradition caused in the European theater in th

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::5fe2b9a4e87ca1ab612126bf41c504a1
https://seer.ufrgs.br/index.php/presenca/article/view/63654

O SEGREDO DO 'PRÍNCIPE CONSTANTE'

Autor: Ricardo Carlos Gomes, Franco Ruffini

Publikováno v: MORINGA - Artes do Espetáculo. 11

Por meio de pesquisa histórica e bibliográfica, o artigo procura revelar o segredo do trabalho desenvolvido em isolamento por Jerzy Grotowski e Ryszard Cieślak, durante a preparação do espetáculo do Teatro Laboratório, O Príncipe Constante. O

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::508904ce74352895d15cd636440ae67a
https://doi.org/10.22478/ufpb.2177-8841.2020v11n1.53487