Vivian Qu’s Angels Wear White: Vulnerable Young Girls and Resistance in Contemporary China

Autor: Reynaud, Bérénice M.

Publikováno v: Annali di Ca’ Foscari: Serie Orientale, Vol 59, Iss 2, Pp - (2023)

Focusing on Vivian Qu’s Angels Wear White (2017), this paper uses Judith Butler’s discussion of vulnerability, resistance, and performativity as a theoretical framework to analyse the film’s narrative and directing choices when addressing issue

Externí odkaz: https://doaj.org/article/cb3a5137b82b42ec84b53d4dafc422b9

MODERN TIMES

Autor: REYNAUD, BÉRÉNICE

Publikováno v: Film Comment, 2003 Sep 01. 39(5), 54-65.

Externí odkaz: https://www.jstor.org/stable/43456623

Women's Cinema and Women's Status in China : an Analysis of Films by Ning Ying, Li Yu, Li Shaohong and Xu Jinglei (2001-2007)

Autor: Reynaud, Bérénice M.

Publikováno v: Art et histoire de l'art. Université de Lyon (COMUE); Université Jean Moulin Lyon 3, 2020. Français
Art et histoire de l'art. Université de Lyon (COMUE); Université Jean Moulin Lyon 3, 2020. Français. ⟨NNT : ⟩

As the status of women worsens with the adoption of a "socialist market economy" in early twenty-first century China, some scholars speak of the emergence of a new wave of women's cinema in female directors’ films. This term, which has existed sinc

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::94d69bc69e895c308d691cb8e44436d1
https://hal.archives-ouvertes.fr/tel-03250377/document

Stuart Sherman: Object Ritual

Autor: Reynaud, Berenice, Repensek, Thomas

Publikováno v: October, 1979 Apr 01. 8, 59-74.

Externí odkaz: https://www.jstor.org/stable/778226

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