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of 16
pro vyhledávání: '"Raymond Watkins"'
Autor:
Raymond Watkins
Critics have largely neglected the colour films of French film director Robert Bresson (1901—99). To correct that oversight, this studypresents a revised and revitalised Bresson, comparing his style to innovations in abstract painting after World W
Autor:
Raymond Watkins
Publikováno v:
Revista FAMECOS; Vol. 29 No. 1 (2022): Single Volume-Continuous Publication; e43380
Revista FAMECOS; Vol. 29 Núm. 1 (2022): Volumen único-Publicación continua; e43380
Revista FAMECOS; v. 29 n. 1 (2022): Volume Único-Publicação Contínua; e43380
Revista FAMECOS: Mídia cultura e tecnologia
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
Revista FAMECOS; Vol. 29 Núm. 1 (2022): Volumen único-Publicación continua; e43380
Revista FAMECOS; v. 29 n. 1 (2022): Volume Único-Publicação Contínua; e43380
Revista FAMECOS: Mídia cultura e tecnologia
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
This study argues that the way visual art forms migrate and transform from one media to another over time can be traced through their varied relationships to temporality. By introducing a model of “artistic anachronism,” it is possible to better
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c4b1683367a0b78e2a025683f831ac23
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/43380
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/43380
Autor:
Raymond Watkins
Publikováno v:
Animus. Revista Interamericana de Comunicação Midiática. 20
This study examines several themes that often emerge in the work of Taiwanese filmmaker Tsai Ming-liang, focusing on his preoccupation with waste, boredom, and a secret, “ghostly” time that runs parallel to human time. While comparisons are inevi
Autor:
Raymond Watkins
The color films of French film director Robert Bresson (1901–99) have largely been neglected, despite the fact that Bresson himself considered them to be more fully realized reflections of his aspirations for the cinema. This study presents a revis
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b6e54ba1bc627fd9dd547083d08cfcf1
https://doi.org/10.2307/j.ctv7tq4kf
https://doi.org/10.2307/j.ctv7tq4kf
Autor:
Raymond Watkins
Publikováno v:
Studies in French Cinema. 13:141-155
Despite evidence of Robert Bresson's strong affiliation with surrealism in the 1930s, almost no studies have examined the particular ways in which his films are influenced by surrealist practice. This study explores such connections through an examin
Autor:
Raymond Watkins
Publikováno v:
Cinema Journal. 51:1-25
This article explores Robert Bresson's use of painting and development of a painterly style in his film Au hasard Balthazar (1966), focusing on the concern with figuration, reflexivity, the dynamic between stasis and movement, and the manipulation of
Autor:
Raymond Watkins
Publikováno v:
Film Quarterly. 69:134-135
Autor:
Raymond Watkins
Publikováno v:
Modernism/modernity. 17:437-439
Autor:
Raymond Watkins
Publikováno v:
Film Quarterly. 67:100-101
Autor:
Laurie A. Winter, Raymond Watkins, Alan S. Jonason, Jennifer Seils, John E. Leonard, Maurice Zauderer, Terrence L. Fisher, Ernest S. Smith, Chad A. Cornelius
Publikováno v:
Cancer Research. 72:936-936
Vaccinex is developing VX15/2503, a humanized IgG4 anti-Semaphorin 4D (SEMA4D; CD100) antibody with approximately 5 nM affinity, for the treatment of patients with advanced solid tumors and for the treatment of patients with multiple sclerosis. SEMA4