Zobrazeno 1 - 10
of 48
pro vyhledávání: '"Raphael Rosenberg"'
Autor:
Raphael Rosenberg, Rudolf Groner
Publikováno v:
Journal of Eye Movement Research, Vol 13, Iss 2 (2022)
There is no visual art without the eye, just like no music without the ear. Visual art does not happen in the eye, but it has to go through the eye. Even for artworks with little visual focus, as in Conceptual Art, we need eyes to create and receive
Externí odkaz:
https://doaj.org/article/85b02565af6a430a919321826e83a520
Autor:
Raphael Rosenberg
Publikováno v:
Journal of Art Historiography, Iss 24, Pp 24-RR1 (2021)
Julius von Schlosser’s Die Kunstliteratur (1924) is a monumental handbook that has been used by generations of art historians. The present paper provides the first systematic analysis of its genesis alongside Schlosser’s biography from 1891 on
Externí odkaz:
https://doaj.org/article/69e3567b2f6e4e14963ae07bf2600600
Publikováno v:
Journal of Eye Movement Research, Vol 13, Iss 2 (2020)
Eye tracking research in art viewership is often conducted in a laboratory setting where reproductions must be used in place of original art works and the viewing environment is less natural than in a museum. Recent technological developments have ma
Externí odkaz:
https://doaj.org/article/f99a94cd84e7479f8a5452dac0f32ed2
Publikováno v:
Journal of Eye Movement Research, Vol 13, Iss 2 (2020)
Among the most renowned painters of the early twentieth century, Gustav Klimt is often associated – by experts and laymen alike - with a distinctive style of representation: the visual juxtaposition of realistic features and flattened ornamental pa
Externí odkaz:
https://doaj.org/article/4bd4aa8a201f405db4215723deb8e2ef
Publikováno v:
Journal of Eye Movement Research, Vol 13, Iss 2 (2020)
Within art literature, there is a centuries-old assumption that the eye follows the lines set out by the composition of a painting. However, recent empirical findings suggest that this may not be true. This study investigates beholders’ saccadic ey
Externí odkaz:
https://doaj.org/article/a99150f403bf4f38a6641caa1e881ae7
Autor:
Luise Reitstätter, Hanna Brinkmann, Thiago Santini, Eva Specker, Zoya Dare, Flora Bakondi, Anna Miscená, Enkelejda Kasneci, Helmut Leder, Raphael Rosenberg
Publikováno v:
Journal of Eye Movement Research, Vol 13, Iss 2 (2020)
There is increasing awareness that the perception of art is affected by the way it is presented. In 2018, the Austrian Gallery Belvedere redisplayed its permanent collection. Our multi-disciplinary team seized this opportunity to investigate the view
Externí odkaz:
https://doaj.org/article/42084f4f27d041f9af2569f1cf79d27b
Autor:
Eva Specker, Michael Forster, Hanna Brinkmann, Jane Boddy, Beatrice Immelmann, Jürgen Goller, Matthew Pelowski, Raphael Rosenberg, Helmut Leder
Publikováno v:
PLoS ONE, Vol 15, Iss 5, p e0232083 (2020)
The idea that simple visual elements such as colors and lines have specific, universal associations-for example red being warm-appears rather intuitive. Such associations have formed a basis for the description of artworks since the 18th century and
Externí odkaz:
https://doaj.org/article/dd5d672f33954941aeb66bc77ceeec31
Autor:
Christoph Klein, Juliane Betz, Martin Hirschbuehl, Caroline Fuchs, Barbara Schmiedtová, Martina Engelbrecht, Julia Mueller-Paul, Raphael Rosenberg
Publikováno v:
PLoS ONE, Vol 9, Iss 12, p e102439 (2014)
Ever since the Renaissance speaking about paintings has been a fundamental approach for beholders, especially experts. However, it is unclear whether and how speaking about art modifies the way we look at it and this was not yet empirically tested. T
Externí odkaz:
https://doaj.org/article/82248f7f1fff4b7387a1719e4c15dd4f
Publikováno v:
PLoS ONE, Vol 9, Iss 6, p e99019 (2014)
The experience of art emerges from the interaction of various cognitive and affective processes. The unfolding of these processes in time and their relation with viewing behavior, however, is still poorly understood. Here we examined the effect of co
Externí odkaz:
https://doaj.org/article/1db0a2f2905a4da4880385740cd47ab8
Publikováno v:
Psychology of Aesthetics, Creativity, and the Arts.