Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Ramón Espejo Romero"'
Autor:
Ramón Espejo Romero
Publikováno v:
Revista de Literatura, Vol 86, Iss 171 (2024)
El presente artículo analiza la cobertura del teatro norteamericano en La estafeta literaria entre los años 1957 y 1962, que, por una parte, se corresponden con una etapa bien definida en la evolución de esta publicación y por otro con los años
Externí odkaz:
https://doaj.org/article/61ffa57fda5e42519db420e26e2c6bd4
Autor:
Ramón Espejo Romero
Publikováno v:
European Journal of American Studies, Vol 5, Iss 1
By reviewing the critical literature on Melville and Transcendentalism and then undertaking a close reading of Moby-Dick (1851), this paper argues that the novel reflects, among other things, an ongoing debate between the novelist and Transcendentali
Externí odkaz:
https://doaj.org/article/a5be7febdc29493896d3607bbc981b08
Autor:
Ramón Espejo Romero
Publikováno v:
Journal of Contemporary Drama in English. 9:263-280
Borrowing from both a painting and the retrospective exhibition of David Wojnarowicz, History Keeps Me Awake at Night, this paper targets two recent American plays: Annie Baker’s The Flick (2013) and Matthew Lopez’s The Inheritance (2018). In bot
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1d51c98e1e58360233dfb378afc5a0de
https://doi.org/10.1515/jcde-2021-0023
https://doi.org/10.1515/jcde-2021-0023
Autor:
Ramón Espejo Romero
Publikováno v:
Anglia. 139:475-493
Tennessee Williams famously called The Glass Menagerie a ‘memory play’. This remark has been consistently overlooked or misinterpreted by critics, unleashing a tradition of approaching the play in a rather confusing fashion concerning who the cha
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3ff40c9307a6886c80041794bf8d7eed
https://doi.org/10.1515/ang-2021-0039
https://doi.org/10.1515/ang-2021-0039
Autor:
Ramón Espejo Romero
Publikováno v:
Bulletin of Spanish Studies. 97:951-982
El presente articulo analiza el estreno en Espana de The Boys in the Band, de Mart Crowley, en 1975, deteniendose en las aportaciones de la obra norteamericana, en la repercusion critica que obtuvo...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::92aeb9f5a99d2e1ae263959be63190fc
https://doi.org/10.1080/14753820.2020.1764194
https://doi.org/10.1080/14753820.2020.1764194
Autor:
Ramón Espejo Romero
Publikováno v:
RUA. Repositorio Institucional de la Universidad de Alicante
Universidad de Alicante (UA)
Universidad de Alicante (UA)
This article traces the itinerary followed by the earliest Broadway musicals to be imported to Madrid in the 1950s and 1960s. Such innovative format dazzled critics and audiences, carving out a niche of enthusiastic followers that would grow larger o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ccf36ab8685b7209d6d9d32f67322ba9
Autor:
Ramón Espejo Romero
Publikováno v:
Bulletin of Contemporary Hispanic Studies. 1:31-44
This article deals with the Teatro Fronterizo’s 1983 stage version of Herman Melville’s Moby-Dick (1851), focusing on the reasons why Sanchis Sinisterra and the Fronterizo were drawn to Melville’s masterpiece and on the way in which the proposa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6389093aa517d9a729b8bf277ed8af66
https://doi.org/10.3828/bchs.2019.3
https://doi.org/10.3828/bchs.2019.3
Autor:
Ramón Espejo Romero
Publikováno v:
The Eugene O'Neill Review. 39:174-178
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d043ab62a59b656eb5b14269fe272822
https://doi.org/10.5325/eugeoneirevi.39.1.0174
https://doi.org/10.5325/eugeoneirevi.39.1.0174
Autor:
Ramón Espejo Romero
Publikováno v:
The Comparatist. 40:299-318
This essay surveys the presence of North American dramatic works (1) in Spain in the early twentieth century, and seeks to investigate the shifting conception of Americanness of audiences who consumed American plays, and critics who discussed, and co
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3f6b36d6d0531cecca1f4c2d7a2aa651
https://doi.org/10.1353/com.2016.0017
https://doi.org/10.1353/com.2016.0017
Autor:
Ramón Espejo Romero
Publikováno v:
Journal of American Studies. 39:485-509
Since Arthur Miller is frequently considered the most European of American playwrights it is hard to understand why we still lack a history of his drama in our continent and hence ignore much more about its presence here than we know. Unfortunately t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a72d3412ae09c475af63b7d4da3f64c5
https://doi.org/10.1017/s0021875805000629
https://doi.org/10.1017/s0021875805000629