Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Ragnhild M. Bø"'
Autor:
Hildegunn Gullåsen, Ragnhild M. Bø
Publikováno v:
Kunst og Kultur, Vol 106, Iss 4, Pp 148-165 (2023)
Den 30. november 1979 åpnet en ny middelalderutstilling på Historisk museum i Oslo. Utstillingens design var utformet av den internasjonalt anerkjente arkitekten Sverre Fehn (1924–2009) og museets konservator Martin Blindheim (1916–2009) var ku
Externí odkaz:
https://doaj.org/article/e60af890571c41828d1ddc13ba3a5213
Autor:
Ragnhild M. Bø
Publikováno v:
Kunst og Kultur, Vol 105, Iss 4, Pp 264-267 (2022)
Externí odkaz:
https://doaj.org/article/7520ef2d71c44edfadc09feeb415ca97
Autor:
Ragnhild M. Bø
Publikováno v:
ICO Iconographisk Post, Iss 3-4, 2020, Pp 53-95 (2021)
The Lamoignon Hours was illuminated in Paris by the Bedford Master for the French princess Jeanne de France around 1415. Whereas the manuscript matches similar luxury books of hours from the Valois court in size, materials and execution, it also cont
Externí odkaz:
https://doaj.org/article/aaa95f211aa74f0d9199ffa4493bdcb6
Autor:
Ragnhild M. Bø, Elisabeth Andersen
Publikováno v:
Kunst og Kultur, Vol 102, Iss 1, Pp 4-19 (2019)
I Vestfossen kirke henger det en, etter hjemlige forhold, helt spesiell altertavle. Den består av alabast, marmor og eik og ble utført i Mechelen rundt 1550, sannsynligvis av en skulptør fra kretsen omkring Jean Mone. I denne artikkelen vil en sam
Externí odkaz:
https://doaj.org/article/c84b4338f36e45abbda79f536227654c
Autor:
Ragnhild M. Bø
Publikováno v:
ICO Iconographisk Post, Iss 2, 2015, Pp 5-19 (2015)
Title in English: Symbolic and Veristic Identity: Portraiture at the Court of Burgundy 1380-1480. – In the history of Western art, one tends to see the renaissance as the time when portraiture starts to denominate representations of particular i
Externí odkaz:
https://doaj.org/article/becee936fe6343a581262714ba3651d1
Autor:
Ragnhild M. Bø
Publikováno v:
Collegium Medievale, Vol 29 (2017)
In her book Women, Manuscripts and Identity in Northern Europe, 1350-1550, Joni M. Hand, assistant professor in art history at the Southeast Missouri State University, sets out to explore in which way illuminations in devotional manuscripts belonging
Externí odkaz:
https://doaj.org/article/1f5d80d4cdfb457e945dc9f640b088de
Autor:
Ragnhild M. Bø
Publikováno v:
Religions, Vol 10, Iss 11, p 640 (2019)
Eagerly venerated and able to perform miracles, medieval relics and religious artefacts in the Latin West would occasionally also be subject to sensorial and tactile devotional practices. Evidenced by various reports, artefacts were grasped and strok
Externí odkaz:
https://doaj.org/article/18de9d7ac34e4153a00215a31c84af0b
Autor:
Ragnhild M. Bø
Publikováno v:
Kunst og Kultur. 105:264-267
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1ccbfe6342b2af020429bcb72a157d9b
https://doi.org/10.18261/kk.105.4.10
https://doi.org/10.18261/kk.105.4.10
Autor:
Ragnhild M. Bø
Publikováno v:
Journal of Early Modern Christianity. 7:1-42
Antwerp altarpieces produced between c. 1500–1540 could be remarkably similar and have often been regarded as epitomising the shift from bespoke commissions to standardized objects made to be sold on an open market. The only (preserved) Antwerp alt
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::651658f2ae08ff75310589e285c7cd47
https://doi.org/10.1515/jemc-2020-2019
https://doi.org/10.1515/jemc-2020-2019
