Zobrazeno 1 - 10
of 102
pro vyhledávání: '"Rachelle Taylor"'
Autor:
Cunningham, John
Publikováno v:
Music & Letters, 2015 Aug 01. 96(3), 460-462.
Externí odkaz:
http://www.jstor.org/stable/24549683
Autor:
Marshall, Kimberly
Publikováno v:
Fontes Artis Musicae, 2015 Apr 01. 62(2), 148-151.
Externí odkaz:
https://www.jstor.org/stable/24579466
Autor:
Judd, Robert
Publikováno v:
Renaissance Quarterly, 2015 Mar 01. 68(1), 362-363.
Externí odkaz:
https://www.jstor.org/stable/10.1086/681400
Autor:
Lambert, Erin
Publikováno v:
The Sixteenth Century Journal, 2014 Dec 01. 45(4), 1028-1030.
Externí odkaz:
http://www.jstor.org/stable/43920205
Autor:
John P. Cunningham
Publikováno v:
Music and Letters. 96:460-462
Autor:
David J. Smith, Rachelle Taylor
Peter Philips (c.1560-1628) was an English organist, composer, priest and spy. He was embroiled in multifarious intersecting musical, social, religious and political networks linking him with some of the key international players in these spheres. De
Autor:
Robert Judd
Publikováno v:
Renaissance Quarterly. 68:362-363
Publikováno v:
Journal of Emergency Nursing. 45:690-698
Problem Sepsis, a life-threatening condition, can rapidly progress to death. The Hospital Inpatient Quality Reporting program has implemented bundled care metrics for sepsis care, but timely completion of these interventions is challenging. Best-prac
Autor:
Frauke Jurgensen, Rachelle Taylor
Seven settings of the plainsong Clarifica me Pater survive: three each by Thomas Tallis and William Byrd and one by Thomas Tomkins. Not a single source bears the cantus firmus’s correct title – when a title is given at all – but they yield a fa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ad45f7759c14c44f4ada8b1cbd1c7904
https://doi.org/10.4324/9781315109701-7
https://doi.org/10.4324/9781315109701-7
Autor:
André Schaeffner, Rachelle Taylor
The work of French musicologist, ethnologist and critic Andre Schaeffner (1895– 1980) grew out of his first organological studies of the history of Western classical instruments in the late 1920s and encapsulated in his wide-ranging Origine des ins