Zobrazeno 1 - 6
of 6
pro vyhledávání: '"R. A. Kubli"'
Publikováno v:
ICSLP
Speech coders invariably spend about 1/3 of their bits replicating a number of effects collectively termed "excitation". The need for so much bandwidth stems from two causes. The frame rate must be relatively high, because transient changes must be r
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f6c4458044df4edd4df035ef150aa1c4
https://doi.org/10.1109/icslp.1996.607803
https://doi.org/10.1109/icslp.1996.607803
Publikováno v:
4th International Conference on Spoken Language Processing (ICSLP 1996).
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5fb30883b46849a2adedb9b3554c93ae
https://doi.org/10.21437/icslp.1996-300
https://doi.org/10.21437/icslp.1996-300
Publikováno v:
The Journal of the Acoustical Society of America. 96:3341-3341
Speech synthesis and coding schemes commonly incorporate a random noise component during voicing. It is hard to isolate this noise in recorded speech because of the inaccuracy of characterizing a modulated random process from a few nonidentical perio
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c6dfbe213b8b973fccecac3e70b42609
https://doi.org/10.1121/1.410658
https://doi.org/10.1121/1.410658
Autor:
J. L. Flanagan, R. A. Kubli
Publikováno v:
The Journal of the Acoustical Society of America. 77:1946-1949
A design technique is described in which a line array microphone is provided adjustable spatial directivity suitable to a variety of teleconference applications. The directivity of the system is controlled by acoustic insert elements, selected for th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::405fa8ab370bed46a4d5d981b7d6aaf8
https://doi.org/10.1121/1.391840
https://doi.org/10.1121/1.391840
Publikováno v:
The Journal of the Acoustical Society of America. 86:2063-2066
A second order gradient microphone Fig. 1 with unidirectional sensitivity pattern is obtained by housing each of two commercially available first order gradient microphones 14, 24 centrally within a baffle 12, 22. The baffles have flat surfaces, are
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fcfe7464cfe6db65c2dcb0fcc6d9a602
https://doi.org/10.1121/1.398464
https://doi.org/10.1121/1.398464
Publikováno v:
The Journal of the Acoustical Society of America. 82:S39-S39
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1c36cb869a8f1112cd883d699a27d2c3
https://doi.org/10.1121/1.2024792
https://doi.org/10.1121/1.2024792