Zobrazeno 1 - 10
of 66
pro vyhledávání: '"Psychoyou Théodora"'
Publikováno v:
Acta Acustica, Vol 8, p 6 (2024)
A listening test was performed to determine whether there were any perceived differences in the playing styles of musicians as a function of the room in which the music was performed. This listening test was part of a larger study aimed at investigat
Externí odkaz:
https://doaj.org/article/865b7edafe86491fa07ef590d0e99ad8
Autor:
Lindekens, Katherina, Gardner, Matthew, Giles, Roseen, Hume, James, Lebedinski, Ester, Psychoyou, Théodora, Springthorpe, Nigel
Publikováno v:
Early Music, 2016 Nov 01. 44(4), 666-669.
Externí odkaz:
https://www.jstor.org/stable/44645622
Listener perception of changes in historically informed performance of solo Baroque music due to room acoustics
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_____10369::732bdf9e4b7a8199fe0ea6ee174a8a19
https://hal.science/hal-04073778
https://hal.science/hal-04073778
Autor:
Cerveux, Alexandre, Cessac, Catherine, Etcharry, Stéphan, Launay, Florence, Ledru, Caroline, Legrand, Raphaëlle, Nancy, Sarah, Porot, Bertrand, Psychoyou, Théodora, Ramaut, Alban, Robert, Alexandre, Santana, Imyra, Segnini, Liliana Rolfsen Petrilli, Sendra, Frédérick, Traversier, Mélanie, Viennot, Éliane, Waschbüsch, Viviane
« La musique a-t-elle un genre ? » : la question soulève encore souvent indifférence polie, sinon hilarité, voire mépris. Et pourtant ! Comme la littérature et la peinture, la musique n’échappe pas aux catégorisations genrées et encore mo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::3266d8a2ff78b9aca1ffe55384be482b
http://books.openedition.org/psorbonne/83755
http://books.openedition.org/psorbonne/83755
Autor:
Psychoyou, Théodora
Cet article explore le statut de la discrimination entre féminin et masculin dans les écrits sur la musique en France au xviie siècle. Il propose une typologie des énoncés musicaux genrés selon les contextes, les finalités et les usages, fort
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::f2a4308b72cbcfeacd96f4de2d33e913
http://books.openedition.org/psorbonne/83850
http://books.openedition.org/psorbonne/83850
A common strategy for analyzing music performances is to extract a high number of low-level features followed by dimensionality reduction. While this can be an effective way of identifying differences in performances, interpreting these differences i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_____10369::391ab440d2002e7a680416743693b60f
https://hal.science/hal-03836558
https://hal.science/hal-03836558
Research into historical instruments, repertoire, playing technique, and compositional styles has formed the basis the historically informed performance (HIP) movement, however, the importance of the performance space has not been widely studied. Thi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_____10369::1ebf5fc7594013ee10080a3226bf4184
https://hal.science/hal-03848013
https://hal.science/hal-03848013