Zobrazeno 1 - 10
of 13
pro vyhledávání: '"Portraits, Renaissance"'
Autor:
Munoz, Sarah
Publikováno v:
Venezia Arti, Vol 29, Iss 1, Pp - (2020)
Sculpted Renaissance medallions, inspired by ancient coins and clipeatae imagines, were developed in French monuments from around 1500 to 1550. First applied to the surface of the wall and restricted to a face, they showed, around 1530-1540, transfor
Externí odkaz:
https://doaj.org/article/13e403b8dd1c4ee88fb7a9fdd4424dab
Autor:
Christopher S. Wood
A new study of the early Renaissance portraitIn fourteenth-century Italy, ever more women and men—not only clergy but also laity—introduced their own portraits into sacred paintings. Images of modern supplicants, submissive and prayerful, shared
Autor:
Wehmeier, Jennifer ML.
Publikováno v:
Restricted to subscribing institutions.
Thesis (Ph. D.)--UCLA, 2008.
Vita. Illustrations not reproduced. Includes bibliographical references (leaves 403-430).
Vita. Illustrations not reproduced. Includes bibliographical references (leaves 403-430).
Externí odkaz:
http://proquest.umi.com/pqdweb?did=1610113721&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD
Autor:
Milan Pelc
This volume is dedicated to a specific kind of Renaissance publications - to books with portraits of famous people. Illustrium Imagines has become a phrase denoting the very tenet of early modern individualism as well as the phenomenon of the widespr
Publikováno v:
UPCommons. Portal del coneixement obert de la UPC
Universitat Politècnica de Catalunya (UPC)
Universitat Politècnica de Catalunya (UPC)
En este trabajo se presenta la investigación de un retrato femenino renacentista que ha estado ilocalizable durante muchos años y, en consecuencia, inaccesible a los investigadores. Se trata de una tercera versión del tema Dama detrás de un parap
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::9adf12e6e9f923a4fd8cdf43b60c2c9e
Autor:
Ghadessi, Touba
At the center of this interdisciplinary study are court monsters--dwarves, hirsutes, and misshapen individuals--who, by their very presence, altered Renaissance ethics vis-a-vis anatomical difference, social virtues, and scientific knowledge. The stu