Globally, songs and instrumental melodies are slower, higher, and use more stable pitches than speech [Stage 2 Registered Report]

Autor: Yuto Ozaki, Adam Tierney, Peter Pfordresher, John Mcbride, Emmanouil Benetos, Polina Proutskova, Gakuto Chiba, Fang Liu, Nori Jacoby, Suzanne Purdy, Patricia Opondo, Tecumseh Fitch, Shantala Hegde, Martín Rocamora, Rob Thorne, Florence Ewomazino Nweke, Dhwani Sadaphal, Parimal Sadaphal, Shafagh Hadavi, Shinya Fujii, Sangbuem Choo, Marin Naruse, Utae Ehara, Latyr Sy, Mark Lenini Parselelo, Manuel Anglada-Tort, Niels Chr. Hansen, Felix Haiduk, Ulvhild Færøvik, Violeta Magalhães, Wojciech Krzyżanowski, Olena Shcherbakova, Diana Hereld, Brenda Suyanne Barbosa, Marco Antonio Correa Varella, Mark van Tongeren, Polina Dessiatnitchenko, Su Zar Zar, Iyadh El Kahla, Olcay Muslu, Jakelin Troy, Teona Lomsadze, Dilyana Kurdova, null CristianoTsope, Daniel Fredriksson, Aleksandar Arabadjiev, Jehoshaphat Philip Sarbah, Adwoa Arhine, Tadhg Ó Meachair, Javier Silva-Zurita, Ignacio Soto-Silva, Neddiel Elcie Muñoz Millalonco, Rytis Ambrazevičius, Psyche Loui, Andrea Ravignani, Yannick Jadoul, Pauline Larrouy-Maestri, Camila Bruder, Tutushamum Puri Teyxokawa, Urise Kuikuro, Rogerdison Natsitsabui, Nerea Bello Sagarzazu, Limor Raviv, Minyu Zeng, Shahaboddin Dabaghi Varnosfaderani, Juan Sebastián Gómez-Cañón, Kayla Kolff, Christina der Nederlanden, Meyha Chhatwal, Ryan Mark David, I Putu Gede Setiawan, Great Lekakul, Vanessa Nina Borsan, Nozuko Nguqu, Patrick E. Savage

What, if any, similarities and differences between music and speech are consistent across cultures? Both music and language are found in all known human societies and are argued to share evolutionary roots and cognitive resources, yet no studies have

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::1e24807267eeebc2ba87cc59ef2ee364
https://doi.org/10.31234/osf.io/jr9x7

Agreement Among Human and Automated Transcriptions of Global Songs

Autor: Peter Q. Pfordresher, Joren Six, Haruka Kondo, Shinya Fujii, Emmanouil Benetos, John M. McBride, Emi Sakai, Patrick E. Savage, Adam Tierney, Haruno Fukatsu, Yuto Ozaki, Polina Proutskova

Publikováno v: Proceedings of the 22nd International Society for Music Information Retrieval Conference

Cross-cultural musical analysis requires standardized symbolic representation of sounds such as score notation. However, transcription into notation is usually conducted manually by ear, which is time-consuming and subjective. Our aim is to evaluate

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6fe483e85827d0eaccc0662753ac0165

From music ontology towards ethno-music-ontology

Autor: Polina Proutskova, Anja Volk, Peyman Heidarian, Gyorgy Fazekas

This paper presents exploratory work investigating the suitability of the Music Ontology - the most widely used formal specification of the music domain - for modelling non-Western musical traditions. Four contrasting case studies from a variety of m

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3acf6e290d1a8bba7ab50868ac575e47

You Call That Singing? Ensemble Classification For Multi-Cultural Collections Of Music Recordings

Autor: Polina Proutskova, Michael A. Casey

[TODO] Add abstract here.

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5c8550e6c71e0923d48cff049ea7907f