Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Piotr Olkusz"'
Autor:
Piotr Olkusz
Publikováno v:
Pamiętnik Teatralny, Vol 72, Iss 1, Pp 19-47 (2023)
Molière’s Les précieuses ridicules (The Affected Ladies), his first great success, is regarded today as one of his most controversial works, as its main comic characters are women aspiring to independence. The interpretative tradition concerning
Externí odkaz:
https://doaj.org/article/e6395c10a4a3442b803731a4b2698746
Autor:
Piotr Olkusz
Publikováno v:
Pamiętnik Teatralny, Vol 69, Iss 1, Pp 7-24 (2020)
In 1719, Jean-Baptiste Dubos published an extensive dissertation titled Réflexions critiques sur la poésie et sur la peinture, in which he proposed a new kind of reflection on art. Although he drew on ancient theories, he chiefly introduced a moder
Externí odkaz:
https://doaj.org/article/30ce7d69e2734568a90b591aaa25ebcd
Autor:
Piotr Olkusz
Publikováno v:
Pamiętnik Teatralny, Vol 67, Iss 4, Pp 34-54 (2018)
Théâtres de societé became one of the favourite amusements of aristocracy, noblemen, and wealthy bourgeoisie of the 18th-century France. Some required substantial funding (as in the case of Duchess du Maine or Madame de Pompadour), though they oft
Externí odkaz:
https://doaj.org/article/f25e73811647493a9208cf0026fd9afe
Autor:
Piotr Olkusz
Publikováno v:
Pamiętnik Teatralny, Vol 67, Iss 1/2, Pp 5-26 (2018)
The military and economic dominance of France in Europe waned in the 18th century, but paradoxically, that century was also the golden age of cultural influence of France on other countries of the Old World. A large number of courts established theat
Externí odkaz:
https://doaj.org/article/2fda1d707b0c4a5788dff08df2278739
Autor:
Piotr Olkusz
Publikováno v:
Pamiętnik Teatralny, Vol 66, Iss 3, Pp 84-104 (2017)
One of the important and widespread motifs in the French culture of the first half of the 18th century, from painting to literature, was that of imaginary voyages: voyages imaginaires. Marivaux makes frequent use of it in his work, most notably in hi
Externí odkaz:
https://doaj.org/article/32a089b2e90547cd990a01e0cb5b8771
Autor:
Pierre de Marivaux, Piotr Olkusz (ed.)
Publikováno v:
Pamiętnik Teatralny, Vol 66, Iss 3, Pp 105-128 (2017)
An anonymous 1782 translation of Marivaux's L’Île des Esclaves edited by Piotr Olkusz.
Externí odkaz:
https://doaj.org/article/6bb2467558a64aa195f85c22a861037a
Autor:
Piotr Olkusz
Publikováno v:
Przestrzenie Teorii, Vol 0, Iss 7, Pp 237-245 (2007)
The use of film techniques in theatre performances is no new invention. There are two distinguishable ways of doing this: in the first, media techniques are used on the stage only and bear no profound significance to the "actual core of the theatre"
Externí odkaz:
https://doaj.org/article/e49d516fc842491fa390fbeda1dc6c60
Autor:
Piotr Olkusz
Publikováno v:
Études de lettres. :125-142
Autor:
Piotr Olkusz
Artykuł opowiada o "Teatrze ludowym" Romain Rollanda, który zwykło się łączyć z koncepcjami teatru robotniczego, teatru zaangażowanego oraz teatru politycznego. Autor tekstu wskazuje na nowe funkcje teatru, w którym masowy widz miał się st
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e8a79dca580d4276b61e37323e5be59d
https://hdl.handle.net/11089/41560
https://hdl.handle.net/11089/41560
Autor:
Piotr Olkusz
W artykule opisano jedynie najważniejsze widowiska rewolucji, bezpośrednio związane z decyzjami kolejnych przywódców. Pominięto liczne masowe święta organizowane poza Paryżem – historycy, jak podkreśla Autor, teatru napisali o nich wyjąt
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b378dd361b1f590a1dbcfe02842b37ac
https://hdl.handle.net/11089/41570
https://hdl.handle.net/11089/41570