Zobrazeno 1 - 10
of 17
pro vyhledávání: '"Pinto, Rui Magno da Silva"'
Autor:
Pinto, Rui Magno da Silva
SFRH/BD/80942/2011 UIDB/00693/2020 UIDP/00693/2020 No panorama da música sinfónica e sinfónica-coral oitocentista portuguesa, várias foram as obras inspiradas por Camões e a sua obra: a monumental Messe de Requiem de Bomtempo, as menos conhecida
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______1437::e26553b7ea286df7a9dade9c142edec7
https://hdl.handle.net/10362/154059
https://hdl.handle.net/10362/154059
Autor:
Pinto, Rui Magno da Silva
UID/EAT/00693/2013 Unlike the usual concert activity of the national bands, the unique praxis of the Madeiran community bands consists mainly of four-to- twelve hour recreational exhibitions in religious festivities by fifteen-to twenty-five musician
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______1437::60d93fb927e687c3f9665e23a3379620
https://hdl.handle.net/10362/68002
https://hdl.handle.net/10362/68002
Autor:
Pinto, Rui Magno da Silva
UID/EAT/00693/2013 Quando em 1879, a Associação Música 24 de Junho visava, pela terceira vez, promover a realização regular de concertos “a grande orquestra” em Lisboa, convidando para a direcção das suas orquestras renomeados maestros est
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______1437::6947f334dc61e3cac8f2ca157de67588
https://hdl.handle.net/10362/103230
https://hdl.handle.net/10362/103230
Autor:
Pinto, Rui Magno da Silva
UID/EAT/00693/2013 Entusiasta amador de música, trompista, D. Duarte Manuel de Noronha, 5.º Marquês de Tancos, copiou algumas obras para banda de Inácio António de Santa Teresa, que se constitui como um dos mais antigos repositórios de obras pa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______1437::5d457b54bf7360d2fbaa8a9fb9909b81
https://hdl.handle.net/10362/34080
https://hdl.handle.net/10362/34080
Autor:
Pinto, Rui Magno da Silva
UID/EAT/00472/2013 Amidst the political-motivated movement of “national consciousness” which arose in the fin-de-siècle – profusely fostered since the celebrations, in 1880, of the third century of the death of Camões, the author of the epic
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______1437::870ce2a9cc399d07b0c09e9510284eaf
https://hdl.handle.net/10362/30466
https://hdl.handle.net/10362/30466
Autor:
Pinto, Rui Magno da Silva
Este painel propõe abordar e explorar composição e recepção de música instrumental em Portugal nos séculos XIX e XX, partindo de casos concretos como a recepção da obra sinfónica de Beethoven entre as décadas de 1910 e 1930, enquadrando-a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______1437::bf94f6f135b219ffe43a4f4a3dd1c440
https://hdl.handle.net/10362/34286
https://hdl.handle.net/10362/34286
Autor:
Pinto, Rui Magno da Silva
UID/EAT/00693/2013 publishersversion published
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______1437::e0d4f42585eeeacd001000d6257b091a
http://ernie.uva.nl/viewer.p/21/56/object/122-160666
http://ernie.uva.nl/viewer.p/21/56/object/122-160666
Autor:
Pinto, Rui Magno da Silva
UID/EAT/00693/2013 1879 proved to be a prolific year for Lisbon’s musical praxis. The unfortunate dismissal of several of the best performers from the theater orchestras was the motto for the long-endeavored seminal organization of symphonic and pr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______1437::ec1bded822729581ce868e3af905d947
https://hdl.handle.net/10362/29970
https://hdl.handle.net/10362/29970
Autor:
Pinto, Rui Magno da Silva
UID/EAT/00693/2013 publishersversion published
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______1437::303f301ea98034ae2d768872244ed40a
https://hdl.handle.net/10362/103625
https://hdl.handle.net/10362/103625
Autor:
Pinto, Rui Magno da Silva
PEst-OE/EAT/UI0693/2014 Francisco António Norberto dos Santos Pinto (1815-1860) was the most renown brass player in the second quarter of the nineteenth century, having served as horn, bugle and keyed bugle musician at the Reais Cavalariças, Real C
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______1437::458eefe77f5f81fa4b3de494ba4cc34e
https://hdl.handle.net/10362/31757
https://hdl.handle.net/10362/31757