Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Piet G. Vos"'
Autor:
Piet G. Vos, Dennis Pasveer
Publikováno v:
Perception & Psychophysics. 64:631-639
The purpose of the present study was to map the suitability of melodic intervals for opening and closing a melody. Listeners (n = 13), belonging to two groups with different levels of expertise, rated the 25 within-octave intervals (unison plus the 1
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::535ec65e24bb4ed44d2f6eaaae31f1b0
https://doi.org/10.3758/bf03194731
https://doi.org/10.3758/bf03194731
Autor:
Piet G. Vos, Andras Semjen
Publikováno v:
Psychological Research. 66:50-59
Participants performed a three-beat (strong-weak-weak) finger-tapping pattern with one hand while synchronizing taps of the other hand with either the strong tap (metrically congruous rhythm) or one of the weak taps (metrically incongruous rhythms).
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6e4dcda97bdf692dcdc715a023d09dc1
https://doi.org/10.1007/s004260100073
https://doi.org/10.1007/s004260100073
Autor:
Piet G. Vos, Wolfgang Auhagen
Publikováno v:
Music Perception. 17:417-436
A critical and comparative review of the various methods currently used in experimental studies of tonality induction is presented. First, we deal with pitfalls in the selection of subjects, specifically focusing on the issue of contrasting more-expe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9bca0bb226754ebcb0e98daf991532f8
https://doi.org/10.2307/40285827
https://doi.org/10.2307/40285827
Autor:
Piet G. Vos
Publikováno v:
Music Perception. 17:403-416
Fundamental problems and dilemmas for the study of tonality induction are reviewed. I focus on two different, although related types of research impediments. The first is the fuzziness of the key notion "tonality" itself, which leads to divergent con
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2332059d338789edb25624ec167b323b
https://doi.org/10.2307/40285826
https://doi.org/10.2307/40285826
Autor:
Piet G. Vos
Publikováno v:
Psychology of Music. 27:4-17
Substantial evidence is reported in support of the rule that, if a Western tonal composition opens melodically with an ascending fourth or a descending fifth ("4/5 opening"), then the second tone is the tonic of the composition's key, and the first t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cf6ad5794b7dd4fe45e6502444613f23
https://doi.org/10.1177/0305735699271002
https://doi.org/10.1177/0305735699271002
Autor:
Piet G. Vos, Paul P. Verkaart
Publikováno v:
Music Perception. 17:223-239
Listeners' ability to infer the mode (major vs. minor) of a piece of Western tonal music was examined. Twenty-four subjects, divided into two groups according to their level of musical expertise, evaluated 11 musical stimuli, selected from J. S. Bach
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2d53d60067ce88f20a3ede9cc63b3b81
https://doi.org/10.2307/40285892
https://doi.org/10.2307/40285892
Publikováno v:
Psychological Research, 59, 4, pp. 240-247
Psychological Research, 59, 240-247. Springer verlag
Psychological Research, 59, 240-247. Springer verlag
Assumptions of a theory, still influential, of tempo perception by Schulze (1978) are reconsidered in view of counter-evidence from other time-perception and timing studies. Specifically, it is shown that the role of base tempo of stimuli and the ori
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f48c0f6852ff90348d3da2633312efe4
https://hdl.handle.net/2066/28796
https://hdl.handle.net/2066/28796
Autor:
Erwin W. Van Geenen, Piet G. Vos
Publikováno v:
Music Perception. 14:185-223
A model of key finding is presented for single-voiced pieces of tonal music. Each tone is input as a pitch class and a duration. The model makes a parallel search for the key in the scalar and chordal domains, taking into account primacy and memory c
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ee3477dd814b4b0bf971004135e8af0b
https://doi.org/10.2307/40285717
https://doi.org/10.2307/40285717
Publikováno v:
Perception, 23(8), 965-976. PION LTD
University of Groningen
University of Groningen
A method of time-series analysis and a time-beating experiment were used to test the structural and perceptual validity of notated metre. Autocorrelation applied to the flow of melodic intervals between notes from thirty fragments of compositions for
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c16f772f8407090c105bc5f458a250f2
https://doi.org/10.1068/p230965
https://doi.org/10.1068/p230965
Publikováno v:
Journal of Experimental Psychology: Learning, Memory, and Cognition. 20:236-244
Response times (RT) curves were obtained from subjects who were instructed to search for following or preceding letters in the alphabet with respect to given stimulus letters. To describe the shape of these curves, Klahr, Chase, and Lovelace (1983) p
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::26a2a42e94d0d78d9a93f380f2270d9d
https://doi.org/10.1037/0278-7393.20.1.236
https://doi.org/10.1037/0278-7393.20.1.236