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pro vyhledávání: '"Pierre Dubois"'
Autor:
Pierre Dubois
Publikováno v:
Miranda: Revue Pluridisciplinaire du Monde Anglophone, Vol 22 (2021)
This brief presentation of a recently published study, Dr Charles Burney and the Organ (‘Elements Series’, Cambridge University Press), highlights the relevance of including music into the field of English studies. It shows that analysing Burney
Externí odkaz:
https://doaj.org/article/f7224d590f39453491ce544ae69829bb
Autor:
Pierre Dubois
Publikováno v:
XVII-XVIII, Vol 73, Pp 147-158 (2016)
Frances Burney’s heroines often find refuge in a voluntary silence that contributes to a definition of their femininity : often compelled to refrain from speaking in the society of the time, woman dialectically assumes the power of silence in order
Externí odkaz:
https://doaj.org/article/3e09618671da4c3c9df1f71b82203f1d
Autor:
Pierre Dubois
Publikováno v:
XVII-XVIII, Vol 72, Pp 115-128 (2015)
London eighteenth-century pleasure gardens have often been pictured as places of social mix where there was no hierarchy between members of polite society and the middling orders. Recent research has however cast doubt on the degree of social “hybr
Externí odkaz:
https://doaj.org/article/686261554d06442695ae308ada4d8b87
Autor:
Pierre Dubois
Publikováno v:
XVII-XVIII, Pp 229-242 (2013)
Externí odkaz:
https://doaj.org/article/0abeab6de86f4e8aa15644d4087e13eb
Autor:
Pierre Dubois
Publikováno v:
XVII-XVIII, Vol 69, Pp 251-256 (2012)
Externí odkaz:
https://doaj.org/article/a7fb6c65d0f84bb092bcd27a0073012b
Autor:
Pierre Dubois
Publikováno v:
Etudes Epistémè, Vol 29 (2016)
As Hogarth’s famous print, The Enraged Musician, makes clear, “sound” and “noise” are antithetical notions. Noise is defined negatively as a disruptive element. “It works as a deconstruction”, Paul Hegarty claims. Historically, in the A
Externí odkaz:
https://doaj.org/article/1833fa9d689842d6985f0c07451ddaf2
Autor:
Pierre Dubois
Publikováno v:
Sillages Critiques, Vol 7, Pp 27-48 (2005)
Externí odkaz:
https://doaj.org/article/6a61dd8a271d4d0a9944387a07789310
Autor:
Pierre Dubois
Publikováno v:
Sillages Critiques, Vol 16 (2013)
It is not the least of paradoxes that the castrati that performed in Italian opera both in Italy in the 17th century and on the London stage after the Restoration should have acted the parts of manly seducers, mighty kings or warriors in spite of the
Externí odkaz:
https://doaj.org/article/905fa2c96c5e4be58d9c0516c696be9c
Autor:
Pierre Dubois
Publikováno v:
Revue Française de Civilisation Britannique, Vol 13, Iss 4 (2006)
The great Handel Commemoration in Westminster in 1784 was a watershed in British cultural history and quite clearly questions the relation between art and nation.Organised as a real political project, it was that unique moment when music was suddenly
Externí odkaz:
https://doaj.org/article/43a84764e7954ad19dbf2ef793b0d42b