Zobrazeno 1 - 10 of 25 pro vyhledávání: '"Pia F. Cuneo"'
1
‘So this guy walks into a forest…:’ obscenity, humour, sex, and the equine body in hans baldung’s Horses in a forest woodcuts (1534)
Autor: Pia F. Cuneo
Publikováno v: Indecent Bodies in Early Modern Visual Culture ISBN: 9789048551774
Baldung’s enigmatic woodcuts depicting horses in a forest (signed and dated 1534) have mostly been interpreted as sardonic yet serious commentaries on the making and limits of art, and as a scathing if general critique of human sexuality, in which
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::447cb83806ee24bc447299cd314cfe18
https://doi.org/10.1017/9789048551774.008
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3
Indecent Bodies in Early Modern Visual Culture
Autor: Fabian Jonietz, Mandy Richter, Alison Stewart, Pia F. Cuneo, Ricardo Mambro Santos, Catherine Emerson, Miriam Hall Kirch, Susanne Meurer, Romana Sammern, Bette Talvacchia
The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered ‘decent’ and representable, and
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::983b93c51a0dbbb01f6b1447c44159a0
https://doi.org/10.5117/9789463725835
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4
The Reformation of Riding: Protestant Identity and Horsemanship at North German Courts
Autor: Pia F. Cuneo
Publikováno v: The Court Historian. 24:235-249
Three early seventeenth-century texts written by German horsemen differ significantly in their attitudes towards horses from the highly influential Italian treatise on horsemanship, Gli ordini di c...
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::9aed0d12997a558a0a7269b6f20156db
https://doi.org/10.1080/14629712.2019.1675322
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6
Elektronická kniha
Artful Armies, Beautiful Battles : Art and Warfare in the Early Modern Europe
Autor: Pia F. Cuneo
Warfare, and the circumstances surrounding it, have often provided important impulses for cultural production. This book explores the relationship between warfare and image-making in the early modern period. Rather than dealing with images simply as
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