Zobrazeno 1 - 10 of 51 pro vyhledávání: '"Philippe Guillemain"'
1
The dual influence of the reed resonance frequency and tonehole lattice cutoff frequency on sound production and radiation of a clarinet-like instrument
Autor: Erik Alan Petersen, Philippe Guillemain, Michaël Jousserand
Publikováno v: Journal of the Acoustical Society of America
Journal of the Acoustical Society of America, 2022, ⟨10.1121/10.0011467⟩
International audience; The internal and external spectra of woodwind reed instruments are partially determined by the tonehole lattice cutoff and reed resonance frequencies. Because they can impact the spectrum in similar ways, a study of one withou
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3a54cddb89b9cae79fad2c2d79985e7a
https://doi.org/10.1121/10.0011467
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2
Characterization of open woodwind toneholes by the tube reversed method
Autor: Philippe Guillemain, J. Kergomard, Michael Jousserand, H. Garcia Mayén, Patrick Sanchez, Christophe Vergez, M. Pachebat
Publikováno v: The Journal of the Acoustical Society of America
The Journal of the Acoustical Society of America, 2021, 150 (5), pp.3763-3772. ⟨10.48465/fa.2020.0141⟩
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Woodwind tonehole's linear behavior is characterized by two complex quantities: the series and shunt acoustic impedances. A method to determine experimentally these two quantities is presented for the case of open toneholes. It is based on two input
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4e949611292031deb2911ce6ed33bcb2
https://hal.science/hal-03234050v2/document
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3
Multistability of saxophone oscillation regimes and its influence on sound production
Autor: Jean-Baptiste Doc, Philippe Guillemain, Christophe Vergez, Tom Colinot
Publikováno v: Acta Acustica
Acta Acustica, 2021, 5, pp.33. ⟨10.1051/aacus/2021026⟩
Acta Acustica, Vol 5, p 33 (2021)
Acta Acustica, Les Ulis, France : Les Editions de Physique, 2021, 5, pp.33. ⟨10.1051/aacus/2021026⟩
The lowest fingerings of the saxophone can lead to several different regimes, depending on the musician’s control and the characteristics of the instrument. This is explored in this paper through a physical model of saxophone. The harmonic balance
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d6a3693ff615809acf3b7c7a1a792fbf
https://hal.science/hal-03319784
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4
Woodwind instrument design optimization based on impedance characteristics with geometric constraints
Autor: Christophe Vergez, Augustin Ernoult, Michael Jousserand, Philippe Guillemain, Samy Missoum
Publikováno v: Journal of the Acoustical Society of America
Journal of the Acoustical Society of America, Acoustical Society of America, 2020, 148 (5), pp.2864-2877. ⟨10.1121/10.0002449⟩
Journal of the Acoustical Society of America, 2020, 148 (5), pp.2864-2877. ⟨10.1121/10.0002449⟩
Computational optimization algorithms coupled with acoustic models of wind instruments provide instrument makers with an opportunity to explore new designs. Specifically, they enable the automatic discovery of geometries exhibiting desired resonance
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0941a9b77316380addb077f1a60cafb6
https://hal.archives-ouvertes.fr/hal-02479433v3/document
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5
On the tonehole lattice cutoff frequency of conical resonators: applications to the saxophone
Autor: Tom Colinot, Erik Alan Petersen, Philippe Guillemain, J. Kergomard
Publikováno v: Acta Acustica
Acta Acustica, Les Ulis, France : Les Editions de Physique, 2020, 4 (4), ⟨10.1051/aacus/2020012⟩
Acta Acustica, 2020, 4 (4), ⟨10.1051/aacus/2020012⟩
Acta Acustica, Vol 4, Iss 4, p 13 (2020)
International audience; The tonehole lattice cutoff frequency is a well-known feature of woodwind instruments. However, most analytic studies of the cutoff have focused on cylindrical instruments due to their relative geometric simplicity. Here, the
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::bc734a0e47783a96e5b030bbfc68270f
https://hal.archives-ouvertes.fr/hal-03020143
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6
Multiple two-step oscillation regimes produced by the alto saxophone
Autor: Patrick Sanchez, Christophe Vergez, Philippe Guillemain, Jean-Baptiste Doc, Tom Colinot
Publikováno v: Journal of the Acoustical Society of America
Journal of the Acoustical Society of America, Acoustical Society of America, 2020, 147 (4), pp.2406-2413. ⟨10.1121/10.0001109⟩
Journal of the Acoustical Society of America, 2020, 147 (4), pp.2406-2413. ⟨10.1121/10.0001109⟩
International audience; A saxophone mouthpiece fitted with sensors is used to observe the oscillation of a saxophone reed, as well as the internal acoustic pressure, allowing to identify qualitatively different oscillating regimes. In addition to the
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1907649918d29661f356ac5c7fd8e0e3
https://hal.archives-ouvertes.fr/hal-02549931
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7
Numerical optimization of a bicylindrical resonator impedance: differences and common features between a saxophone resonator and a bicylindrical resonator
Autor: Jean-Baptiste Doc, Philippe Guillemain, Michael Jousserand, Tom Colinot, Christophe Vergez
Publikováno v: Acta Acustica united with Acustica
Acta Acustica united with Acustica, 2019, 105 (6), pp.1217-1227. ⟨10.3813/AAA.919398⟩
Acta Acustica united with Acustica, Hirzel Verlag, 2019, 105 (6), pp.1217-1227. ⟨10.3813/AAA.919398⟩
International audience; This paper explores the analogy between a saxophone resonator and a bicylindrical resonator, sometimes called transverse saxophone or cylindrical saxophone. The dimensions of a bicylindrical resonator are optimized numerically
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b35b41ec73dd4391938adb0f53172127
https://hal.science/hal-02434371/file/Colinot_NumericalOptimizationBicylindricalSaxophone_HAL_2019.pdf
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8
The effect of the cutoff frequency on the sound production of a clarinet-like instrument
Autor: Erik Alan Petersen, Philippe Guillemain, Tom Colinot, J. Kergomard
Publikováno v: Journal of the Acoustical Society of America
Journal of the Acoustical Society of America, Acoustical Society of America, 2019, ⟨10.1121/1.5111855⟩
Journal of the Acoustical Society of America, 2019, ⟨10.1121/1.5111855⟩
The input impedance of woodwind instruments is characterized by at least two bands due to the lattice of open toneholes, a stop band at low frequencies, and a pass band at higher frequencies where the acoustic energy is able to propagate past the fir
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b078f6265604f93b92540e6247462dfc
https://hal.archives-ouvertes.fr/hal-02188757
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9
Role of the resonator geometry on the pressure spectrum of reed conical instruments
Autor: Christophe Vergez, Philippe Guillemain, Jean Kergomard, Sami Karkar, Patrick Sanchez, Bruno Gazengel, Jean-Pierre Dalmont
Publikováno v: Acta Acustica united with Acustica
Acta Acustica united with Acustica, 2019, 105 (2), pp.368-380. ⟨10.3813/AAA.919320⟩
Acta Acustica united with Acustica, Hirzel Verlag, 2019, 105 (2), pp.368-380. ⟨10.3813/AAA.919320⟩
International audience; Spectra of musical instruments exhibit formants or anti-formants which are important characteristics of the sounds produced. In the present paper, it is shown that anti-formants exist in the spectrum of the mouthpiece pressure
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2d6a96c5c6c777b83497c722bd004206
https://hal.archives-ouvertes.fr/hal-01865994v2/document
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10
Sound production on a 'coaxial saxophone'
Autor: Christophe Vergez, Philippe Guillemain, Jean-Baptiste Doc, Jean Kergomard
Publikováno v: Journal of the Acoustical Society of America
Journal of the Acoustical Society of America, 2016, 140 (5), pp.3917-3924. ⟨10.1121/1.4967368⟩
Journal of the Acoustical Society of America, Acoustical Society of America, 2016, 140 (5), pp.3917-3924. ⟨10.1121/1.4967368⟩
International audience; Sound production on a " coaxial saxophone " is investigated experimentally. The coaxial saxophone is a variant of the cylindrical saxophone made up of two tubes mounted in parallel, which can be seen as a low-frequency analogy
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ff827234c0581852d914c5d55072ee0b
https://doi.org/10.1121/1.4967368
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