Zobrazeno 1 - 10
of 15
pro vyhledávání: '"Philip Cavendish"'
Autor:
Keti Chukhrov, Daria Ezerova, Philip Cavendish, Elena Kostyleva, Grey Violet, Svetlana Dragaeva, Michał Murawski
Publikováno v:
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, Vol 14 (2022)
The “Voices” section in Apparatus serves as a venue for a wide range of critical reflections and responses. The positions adopted or views expressed are not constrained by the traditional formalities of academic writing. The contributions may tak
Externí odkaz:
https://doaj.org/article/af7c5b949d6145f1972ba939bd756591
Autor:
Philip Cavendish
Publikováno v:
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, Vol 14 (2022)
This editorial introduces the special issue of Apparatus under the title Soviet Playtime. Architectures of Power and Profligacy in DAU. It traces the history of the DAU project from its initial conceptualisation as a biographical film dedicated to th
Externí odkaz:
https://doaj.org/article/525c9274dbbc43dc82e2b2d8c47a6bc4
Autor:
Oleg Aronson, Amanda Barbour, Olga Bryukhovetska, Philip Cavendish, Natascha Drubek, Heleen Gerritsen, Nick Holdsworth, Kior Janev, Karol Jóźwiak, Catriona Kelly, Ilja Kukuj, John Leman Riley, Irina Schulzki, Taras Spivak, Denise J. Youngblood, Eugénie Zvonkine
Publikováno v:
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, Iss 10 (2020)
DAU is an experimental project at the intersection of performance art and cinema, initiated and led by Ilya Khrzhanovsky, and taking as its subject the Soviet Nobel laureate Lev Landau (1908–1968), a theoretical physicist who worked in the Physico-
Externí odkaz:
https://doaj.org/article/998c3c54f15441e39a31affe4c40efe7
Autor:
Philip Cavendish
Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking uni
Autor:
Philip Cavendish
Publikováno v:
Studies in Russian and Soviet Cinema. 15:39-69
This article examines the phenomenon of colour-film animation at Lenfilm during the period 1936–1941. It discusses the development of colour technologies at the studio during the 1930s and the ways...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::06d43a3a97b2e40b681bb747c0046b00
https://doi.org/10.1080/17503132.2020.1865614
https://doi.org/10.1080/17503132.2020.1865614
Autor:
Philip Cavendish
Publikováno v:
The Russian Review. 78:569-594
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c57437683e78e50efdfb4744f1bf22c2
https://doi.org/10.1111/russ.12245
https://doi.org/10.1111/russ.12245
Autor:
Philip Cavendish
Publikováno v:
Canadian-American Slavic Studies. 53:187-189
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6944050014d6d0733160e03a225999f3
https://doi.org/10.1163/22102396-05301018
https://doi.org/10.1163/22102396-05301018
Autor:
Philip Cavendish
Publikováno v:
Studies in Russian and Soviet Cinema. 11:269-270
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5d097658d76367c12437eee6afd98411
https://doi.org/10.1080/17503132.2017.1375795
https://doi.org/10.1080/17503132.2017.1375795
Autor:
Philip Cavendish
Publikováno v:
Film History. 30:103
This article examines the exhibition and reception of Kinemacolor in Russia from 1910 to 1916. Kinemacolor was a British method of filming and projecting in natural color invented by George Albert Smith and financed by Charles Urban, a US-born entrep
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4fa919e276185b96473bfb7b8a3a6292
https://doi.org/10.2979/filmhistory.30.3.05
https://doi.org/10.2979/filmhistory.30.3.05