Zobrazeno 1 - 10
of 101
pro vyhledávání: '"Phil Durrant"'
Autor:
Polaschegg, Nina
Publikováno v:
Neue Zeitschrift für Musik (1991-), 2010 Jan 01. 171(1), 88-88.
Externí odkaz:
https://www.jstor.org/stable/23992515
Autor:
Demand, Sascha
Publikováno v:
Neue Zeitschrift für Musik (1991-), 2004 May 01. 165(3), 80-80.
Externí odkaz:
https://www.jstor.org/stable/23990608
Autor:
Scherwitz, Cordelia
Publikováno v:
Neue Zeitschrift für Musik (1991-), 2001 Nov 01. 162(6), 72-72.
Externí odkaz:
https://www.jstor.org/stable/23991392
Autor:
Wilson, Peter Niklas
Publikováno v:
Neue Zeitschrift für Musik (1991-), 1999 May 01. 160(3), 75-75.
Externí odkaz:
https://www.jstor.org/stable/23988918
Autor:
Phil Durrant
Publikováno v:
International Journal of Learner Corpus Research. 8:139-143
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::04babfd8a048943ac7bd376c2e8e1b8c
https://doi.org/10.1075/ijlcr.00025.dur
https://doi.org/10.1075/ijlcr.00025.dur
Autor:
Phil Durrant
Publikováno v:
Understanding Formulaic Language ISBN: 9781315206615
This is the author accepted manuscript. The final version is available from Routledge via the link in this record
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6e623d191d6406a8c6252cf689b6e425
https://doi.org/10.4324/9781315206615-12
https://doi.org/10.4324/9781315206615-12
Autor:
Phil Durrant, Eileen Kennedy
Publikováno v:
Leisure Sciences. 29:181-194
Starting from the premise that sound is an important aspect of leisure experience neglected within existing research, this article presents a discussion of a creative project to explore ways of encouraging sensitivity to sound in televised sport. We
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d7510dcd00ac461002b86de9d60e1b4b
https://doi.org/10.1080/01490400601160879
https://doi.org/10.1080/01490400601160879
Autor:
Bertrand Denzler, Jean-Luc Guionnet
Over several years, Bertrand Denzler and Jean-Luc Guionnet have interviewed approximately 50 musicians from various backgrounds about their practice of musical improvisation. Musicians include both the very experienced such as Sophie Agnel, Burkhard