Zobrazeno 1 - 10
of 20
pro vyhledávání: '"Pethő ÁG"'
Autor:
Pethő Ágnes
Publikováno v:
Acta Universitatis Sapientiae: Film and Media Studies, Vol 24, Iss 1, Pp 39-79 (2023)
The article argues for the relevance of the concept of the uncanny for a nuanced approach of intermediality. It identifies specific areas where the uncanniness of intermediality appears and examines Joanna Hogg’s three autobiographically inspired f
Externí odkaz:
https://doaj.org/article/70526ba53b684e649207612088958f5b
Autor:
Pethő Ágnes
Publikováno v:
Acta Universitatis Sapientiae: Film and Media Studies, Vol 21, Iss 1, Pp 36-100 (2022)
The article argues for the relevance of intermediality in the interpretation of Radu Jude’s films made after 2016: The Dead Nation (Ţara moartă, 2017), I Do Not Care If We Go Down in History as Barbarians (Îmi este indiferent dacă în istorie v
Externí odkaz:
https://doaj.org/article/34fb0a63653248e6add01e84fa3fea47
Autor:
Pethő Ágnes
Publikováno v:
Acta Universitatis Sapientiae: Film and Media Studies, Vol 15, Iss 1, Pp 191-210 (2018)
Externí odkaz:
https://doaj.org/article/2a62da46b1bd4992b2373371b4fe732e
Autor:
Pethő Ágnes
Publikováno v:
Acta Universitatis Sapientiae: Film and Media Studies, Vol 15, Iss 1, Pp 229-246 (2018)
Externí odkaz:
https://doaj.org/article/8646507c80724d408a4ab5e6590e44e3
Autor:
Pethő Ágnes
Publikováno v:
Acta Universitatis Sapientiae: Film and Media Studies, Vol 15, Iss 1, Pp 165-187 (2018)
The article attempts a brief overview and evaluation of the main theoretical approaches that have emerged in the study of cinematic intermediality in the last decades since intermediality has become an established research term in media studies. It d
Externí odkaz:
https://doaj.org/article/c97cbb1ce2a64bda853f511b0ba42d30
Autor:
Pethő Ágnes
Publikováno v:
Acta Universitatis Sapientiae: Film and Media Studies, Vol 15, Iss 1, Pp 211-228 (2018)
Externí odkaz:
https://doaj.org/article/cd71462fea7e4616b64efc592d251683
Autor:
Pethő Ágnes
Publikováno v:
Acta Universitatis Sapientiae: Film and Media Studies, Vol 11, Iss 1, Pp 39-76 (2015)
The paper proposes to focus on the multiple affordances and intermedial aesthetic of the cinematic tableau seen as a performative space resulting in the impression of watching a painting, a theatre stage, a shop window, a diorama, or a photo-filmic i
Externí odkaz:
https://doaj.org/article/a3d8560368a9418a9a3f51d07d0d660d
Autor:
Pethő Ágnes
Publikováno v:
Acta Universitatis Sapientiae: Film and Media Studies, Vol 9, Iss 1, Pp 51-76 (2014)
The paper analyses the re-conceptualization of the intermedial trope of the tableau vivant in recent East European cinema through several examples from Hungarian and Russian films directed by György Pálfi, Kornél Mundruczó, Benedek Fliegauf, Bél
Externí odkaz:
https://doaj.org/article/dcd6ee9916e04be4adc3ee4b39e122f8
Autor:
Pethő Ágnes
Publikováno v:
Acta Universitatis Sapientiae: Film and Media Studies, Vol 6, Iss 1, Pp 65-90 (2013)
As a possible cross section of cinematic narratology and the theory of intermediality the following essay assesses some of the effects of foregrounding the single, intermedial image within film. Specific figurations of intermediality that are experie
Externí odkaz:
https://doaj.org/article/6bd0cfcbd4414df0b731ed0840e9c2e2
Autor:
Pethő Ágnes
Publikováno v:
Acta Universitatis Sapientiae: Film and Media Studies, Vol 15, Iss 1, Pp 189-189 (2018)
Externí odkaz:
https://doaj.org/article/d49b2f4946804d02838dea47a9849541